Brygos Painter in the context of "Greek lyric"

⭐ In the context of Greek lyric poetry, the period known as the 'Lyric Age of Greece' is primarily characterized by what defining feature?

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⭐ Core Definition: Brygos Painter

The Brygos Painter was an ancient Greek Attic red-figure vase painter of the Late Archaic period. Together with Onesimos, Douris and Makron, he is among the most important cup painters of his time. He was active in the first third of the 5th century BCE, especially in the 480s and 470s BCE. He was a prolific artist to whom over two hundred vases have been attributed, but he is perhaps best known for the Brygos Cup, a red-figure kylix in the Louvre which depicts the "iliupersis" or sack of Troy.

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👉 Brygos Painter in the context of Greek lyric

Greek lyric is the body of lyric poetry written in dialects of Ancient Greek.Lyric poetry is, in short, poetry to be sung accompanied by music, traditionally a lyre.It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods.

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Brygos Painter in the context of Kalathos

A calathus /ˈkæləθəs/ or kalathos /ˈkæləˌθɒs/ (Ancient Greek: κάλαθος, plural calathi or kalathoi κάλαθοι) was a basket resembling a top hat, used to hold wool or fruit, often used in ancient Greek art as a symbol of abundance and fertility. These baskets were made by weaving together reeds or twigs. They were typically used by women to store skeins of wool, but they had other uses in the household. In Roman times, there are reports for baskets of these sorts to be used in agricultural activities like bringing in the fruits from the fields.

The word was also used to describe ceramic vases designed in the shape of the calathus basket, which is the usual application in archaeology, since vases have survived while baskets have not.

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Brygos Painter in the context of White ground technique

White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted.

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Brygos Painter in the context of Phoenix (son of Amyntor)

In Greek mythology, Phoenix (Ancient Greek: Φοῖνιξ Phoinix, gen. Φοίνικος Phoinikos) was the son of king Amyntor. Because of a dispute with his father, Phoenix fled to Phthia, where he became king of the Dolopians, and tutor of the young Achilles, whom he accompanied to the Trojan War. After Achilles had in anger withdrawn from the war, Phoenix tried to persuade Achilles to return.

Phoenix appears as a character in the Iliad, where Homer has him tell his story. He is also mentioned several times in the Epic Cycle. There were several lost 5th-century BC tragedies titled Phoenix, which presumably told his story, and he appeared as a character in several others. Mentions of Phoenix occur in Pindar, the Palatine Anthology, Lycophron, Ovid and Hyginus, and a brief account of his story is given by the mythographer Apollodorus. Phoenix also appears in many works of ancient art from as early as the 6th century BC.

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Brygos Painter in the context of Chrysippus (Greek myth)

In Greek mythology, Chrysippus (/kraɪˈsɪpəs, krɪ-/; Ancient Greek: Χρύσιππος, romanizedKhrúsippos, lit.'golden horse') may refer to the following individuals:

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