God (male deity) in the context of "Geb"

Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, which emerged sometime in prehistory. Deities represented natural forces and phenomena, and the Egyptians supported and appeased them through offerings and rituals so that these forces would continue to function according to maat, or divine order. After the founding of the Egyptian state around 3100 BC, the authority to perform these tasks was controlled by the pharaoh, who claimed to be the gods' representative and managed the temples where the rituals were carried out.

The gods' complex characteristics were expressed in myths and in intricate relationships between deities: family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities' diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features.

In mythology and the study of folklore and religion, a trickster is a character in a story (god, goddess, spirit, human or anthropomorphisation) who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior.

The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects, and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. By a process of syncretism, after the Roman conquest of Celtic areas, most of these became associated with their Roman equivalents, and their worship continued until Christianization. Epona was an exception and retained without association with any Roman deity. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.

The locus classicus for the Celtic gods of Gaul is the passage in Julius Caesar's Commentarii de Bello Gallico (The Gallic War, 52–51 BC) in which he names six of them, together with their functions. He says that Mercury was the most honoured of all the deities and many images of him were to be found. Mercury was regarded as the inventor of all the arts, the patron of travellers and of merchants, and the most powerful deity in matters of commerce and gain. After him, the Gauls honoured Apollo, who drove away diseases, Mars, who controlled war, Jupiter, who ruled the heavens, and Minerva, who promoted handicrafts. He adds that the Gauls regarded a god he likened to Dis Pater as their ancestor.

Asopus or Asopos (/əˈsoʊpəs/; Ancient Greek: Ἀ̄σωπός Āsōpos) is the name of four different rivers in Greece and one in Turkey. In Greek mythology, it was also the name of the gods of those rivers. Zeus carried off Aegina, Asopus' daughter, and Sisyphus, who had witnessed the act, told Asopus that he could reveal the identity of the person who had abducted Aegina, but in return Asopus would have to provide a perennial fountain of water at Corinth, Sisyphus' city. Accordingly, Asopus produced a fountain at Corinth, and pursued Zeus, but had to retreat for fear of Zeus' terrible thunderbolt.