Gluttony in the context of "Seven cardinal vices"

Lust is an intense desire for something. Lust can take any form such as the lust for sexual activity (see libido), money, or power; but it can also take such mundane forms as the lust for food (see gluttony; as distinct from the need for food) or the lust for redolence (when one is lusting for a particular smell that brings back memories). Lust is similar to, but distinguished from, passion, in that properly ordered passion propels individuals to achieve benevolent goals whilst lust does not.

The seven deadly sins (also known as the capital vices or cardinal sins) function as a grouping of major vices within the teachings of Christianity. In the standard list, the seven deadly sins according to the Catholic Church are pride, greed, wrath, envy, lust, gluttony, and sloth.

In Catholicism, the classification of deadly sins into a group of seven originated with Tertullian and continued with Evagrius Ponticus. The concepts were partly based on Greco-Roman and Biblical antecedents. Later, the concept of seven deadly sins evolved further, as shown by historical context based on the Latin language of the Roman Catholic Church, though with significant influence from the Greek language and associated religious traditions. Knowledge of this concept is evident in various treatises; in paintings and sculpture (for example, architectural decorations on churches in some Catholic parishes); and in some older textbooks. Further knowledge has been derived from patterns of confession.

The seven deadly sins (also known as the capital vices or cardinal sins) function as a grouping of major vices within the teachings of Christianity. They are not explicitly listed in the Bible but developed within early Christian theological tradition, drawing on various biblical passages. In the standard list, the seven deadly sins according to the Catholic Church are pride, greed, wrath, envy, lust, gluttony, and sloth.

In Catholicism, the classification of deadly sins into a group of seven originated with Tertullian and continued with Evagrius Ponticus. The concepts were partly based on Greco-Roman and Biblical antecedents. Later, the concept of seven deadly sins evolved further, as shown by historical context based on the Latin language of the Roman Catholic Church, though with significant influence from the Greek language and associated religious traditions. Knowledge of this concept is evident in various treatises; in paintings and sculpture (for example, architectural decorations on churches in some Catholic parishes); and in some older textbooks. Further knowledge has been derived from patterns of confession.

Ba'al Zabub, Ba'al Zvuv or Beelzebub (/biːˈɛlzəbʌb, ˈbiːl-/ bee-EL-zə-bub, BEEL-; Hebrew: בַּעַל־זְבוּב‎ Baʿal-zəḇūḇ), also spelled Beelzebul or Belzebuth, and occasionally known as the Lord of the Flies, is a name derived from a Philistine god, formerly worshipped in Ekron, and later adopted by some Abrahamic religions as a major demon. The name Beelzebub is associated with the Canaanite god Baal.

In theological sources, predominantly Christian, Beelzebub is another name for Satan. He is known in demonology as one of the seven deadly demons or seven princes of Hell, Beelzebub representing gluttony and envy. The Dictionnaire Infernal describes Beelzebub as a being capable of flying, known as the "Lord of the Flies", "Lord of the Flyers", or the "Lord of the Flying Demons". He is also referenced in the well-known novel Lord of the Flies by William Golding due to his ties to hell and the themes of the book.

The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch or to a follower of his, completed around 1500 or later. Since 1898 its authenticity has been questioned several times. In 2015 the Bosch Research Conservation Project claimed it to be by a follower, but scholars at the Prado, where the painting is on display in a sealed case, dismissed this argument. The painting is oil on wooden panels and is presented in a series of circular images.

Four small circles, detailing the four last things—Death, Judgment, Heaven, and Hell—surround a larger circle in which the seven deadly sins are depicted: wrath at the bottom, then (proceeding clockwise) envy, greed, gluttony, sloth, extravagance (later replaced with lust), and pride, using scenes from life rather than allegorical representations of the sins.