Gilgamesh in the context of Sumerian language

A hero (feminine: heroine) is a real person or fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. The original hero type of classical epics did such things for the sake of glory and honor. Post-classical and modern heroes, on the other hand, perform great deeds or selfless acts for the common good instead of the classical goal of wealth, pride, and fame. The antonym of hero is villain. Other terms associated with the concept of hero may include good guy or white hat.

In classical literature, the hero is the main or revered character in heroic epic poetry celebrated through ancient legends of a people, often striving for military conquest and living by a continually flawed personal honor code. The definition of a hero has changed throughout time. Merriam Webster dictionary defines a hero as "a person who is admired for great or brave acts or fine qualities". Examples of heroes range from mythological figures, such as Gilgamesh and Iphigenia, to historical and modern figures, such as Joan of Arc, Giuseppe Garibaldi, Sophie Scholl, Alvin York, Audie Murphy, and Chuck Yeager, and fictional "superheroes", including Superman and Batman.

The Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) is an epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BCE and bears the incipit Sha naqba īmuru ("He Who Saw the Deep(s)", lit. "He Who Sees the Unknown"). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BCE Assyrian King Ashurbanipal.

The first part of the story discusses Gilgamesh (who was king of Uruk) and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk. After Enkidu becomes civilized through sexual initiation with Shamhat, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together they make a six-day journey to the legendary Cedar Forest, where they ultimately slay its Guardian, Humbaba, and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill the Bull of Heaven, insulting Ishtar in the process, after which the gods decide to sentence Enkidu to death and kill him by giving him a fatal illness.

Uruk, the archeological site known today as Warka, was an ancient city in the Near East or West Asia, located east of the current bed of the Euphrates River, on an ancient, now-dried channel of the river in Muthanna Governorate, Iraq. The site lies 93 kilometers (58 miles) northwest of ancient Ur, 108 kilometers (67 miles) southeast of ancient Nippur, and 24 kilometers (15 miles) northwest of ancient Larsa. It is 30 km (19 mi) east of modern Samawah.

Uruk is the type site for the Uruk period. Uruk played a leading role in the early urbanization of Sumer in the mid-4th millennium BC.By the final phase of the Uruk period around 3100 BC, the city may have had 40,000 residents, with 80,000–90,000 people living in its environs, making it the largest urban area in the world at the time. Gilgamesh, according to the chronology presented in the Sumerian King List (SKL), ruled Uruk in the 27th century BC. After the end of the Early Dynastic period, with the rise of the Akkadian Empire, the city lost its prime importance. It had periods of florescence during the Isin-Larsa period, Neo-Assyrian and Neo-Babylonian periods and throughout the Achaemenid (550–330 BC), Seleucid (312–63 BC) and Parthian (227 BC to AD 224) periods, until it was finally abandoned shortly before or after the Islamic conquest of 633–638.

Enkidu (Sumerian: 𒂗𒆠𒄭 EN.KI.DU₁₀) was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian Epic of Gilgamesh, written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems.

There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natural world. Though equal to Gilgamesh in strength and bearing, he acts in some ways as an antithesis to the cultured, city-bred warrior-king.

The Cedar Forest (𒄑𒂞𒄑𒌁giš eren giš tir) is the glorious realm of the gods of Mesopotamian mythology. It is guarded by the demigod Humbaba and was once entered by the hero Gilgamesh who dared cut down cedar trees from its virgin stands during his quest for fame. The Cedar Forest is described in Tablets 4–6 of the Epic of Gilgamesh. Earlier descriptions come from the Ur III poem Gilgamesh and Huwawa.

The Sumerian poems of his deeds say that Gilgamesh traveled east, presumably, to the Zagros Mountains of Iran (ancient Elam) to the cedar forest, yet the later more extensive Babylonian examples place the cedar forests west in Lebanon.

Humbaba (Ḫumbaba; 𒄷𒌝𒁀𒁀, Ḫumbāba, with an optional determinative 𒀭), originally known as Ḫuwawa in Sumerian (𒄷𒉿𒉿, Ḫuwāwa), was a figure in Mesopotamian mythology. The origin and meaning of his name are unknown. He was portrayed as an anthropomorphic figure comparable to an ogre or giant. He is best known from Sumerian and Akkadian narratives focused on the hero Gilgamesh, including short compositions belonging to the curriculum of scribal schools, various versions of the Epic of Gilgamesh, and several Hurrian and Hittite adaptations. He is invariably portrayed as the inhabitant or guardian of the cedar forest, to which Gilgamesh ventures with his companion Enkidu. The subsequent encounter leads to the death of Humbaba, which provokes the anger of the gods. Humbaba is also attested in other works of Mesopotamian literature. Multiple depictions of him have also been identified, including combat scenes and apotropaic clay heads.

It has been suggested that the iconography of Humbaba influenced depictions of the gorgons in Greece, in particular scenes of Perseus slaying Medusa with the help of Athena. A late derivative of Humbaba also seems to be found in both Jewish and Manichaean versions of the Book of Giants, where one of the eponymous beings is referred to as Ḥôbabiš, Ḥôbabis or Ḥōbāīš. While it is agreed the name is derived from his own, the context in which it appears shows no similarity to known myths involving him. Traces of Ḥôbabiš have also been identified in a number of later works belonging to Islamic tradition, such as religious polemics. A number of connections have also been proposed between Humbaba and figures such as Kombabos from the works of Lucian or biblical Hobab, but they are not regarded as plausible.

In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the King of Uruk Gilgamesh. The story of the Bull of Heaven is known from two different versions: one recorded in an earlier Sumerian poem and a later episode in the Standard Babylonian (a literary dialect of Akkadian) Epic of Gilgamesh. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear.

The more complete Akkadian account comes from Tablet VI of the Epic of Gilgamesh, in which Gilgamesh refuses the sexual advances of the goddess Ishtar, the East Semitic equivalent of Inanna, leading the enraged Ishtar to demand the Bull of Heaven from her father Anu, so that she may send it to attack Gilgamesh in Uruk. Anu gives her the Bull and she sends it to attack Gilgamesh and his companion, the hero Enkidu, who slay the Bull together.

The cosmology of the ancient Near East refers to beliefs about where the universe came from, how it developed, and its physical layout, in the ancient Near East, an area that corresponds with the Middle East today (including Mesopotamia, Egypt, Persia, the Levant, Anatolia, and the Arabian Peninsula). The basic understanding of the world in this region from premodern times included a flat earth, a solid layer or barrier above the sky (the firmament), a cosmic ocean located above the firmament, a region above the cosmic ocean where the gods lived, and a netherworld located at the furthest region in the direction down. Creation myths explained where the universe came from, including which gods created it (and how), as well as how humanity was created. These beliefs are attested as early as the fourth millennium BC and dominated until the modern era, with the only major competing system being the Hellenistic cosmology that developed in Ancient Greece in the mid-1st millennium BC.

Geographically, these views are known from the Mesopotamian cosmologies from Babylonia, Sumer, and Akkad; the Levantine or West Semitic cosmologies from Ugarit and ancient Israel and Judah (the biblical cosmology); the Egyptian cosmology from Ancient Egypt; and the Anatolian cosmologies from the Hittites. This system of cosmology went on to have a profound influence on views in early Greek cosmology, later Jewish cosmology, patristic cosmology, and Islamic cosmology (including Quranic cosmology).

Claudius Aelianus (Ancient Greek: Κλαύδιος Αἰλιανός, romanized: Klaúdios Ailianós; c. 175 – c. 235 AD), commonly Aelian (/ˈiːliən/), born at Praeneste, was a Roman author and teacher of rhetoric who flourished under Septimius Severus and probably outlived Elagabalus, who died in 222. He spoke Greek so fluently that he was called "honey-tongued" (μελίγλωσσος meliglossos); Roman-born, he preferred Greek authors, and wrote in a slightly archaizing Greek himself.

His two chief works are valuable for the numerous quotations from the works of earlier authors, which are otherwise lost, and for the surprising lore, which offers unexpected glimpses into the Greco-Roman world-view. De Natura Animalium is also the only Greco-Roman work to mention Gilgamesh.

Sargon II (Neo-Assyrian Akkadian: 𒈗𒁺, romanized: Šarru-kīn, meaning "the faithful king" or "the legitimate king") was the king of the Neo-Assyrian Empire from 722 BC to his death in battle in 705. Probably the son of Tiglath-Pileser III (r. 745–727), Sargon is generally believed to have become king after overthrowing Shalmaneser V (r. 727–722), probably his brother. He is typically considered the founder of a new dynastic line, the Sargonid dynasty.

Modelling his reign on the legends of the ancient rulers Sargon of Akkad, from whom Sargon II likely took his regnal name, and Gilgamesh, Sargon aspired to conquer the known world, initiate a golden age and a new world order, and be remembered and revered by future generations. Over the course of his seventeen-year reign, Sargon substantially expanded Assyrian territory and enacted important political and military reforms. An accomplished warrior-king and military strategist, Sargon personally led his troops into battle. By the end of his reign, all of his major enemies and rivals had been either defeated or pacified. Among Sargon's greatest accomplishments were the stabilization of Assyrian control over the Levant, the weakening of the northern kingdom of Urartu, and the reconquest of Babylonia. From 717 to 707, Sargon constructed a new Assyrian capital named after himself, Dur-Sharrukin ('Fort Sargon'), which he made his official residence in 706.

Gilgamesh and Aga, sometimes referred to as incipit The envoys of Aga (Sumerian: lu2 kin-gi4-a aka), is an Old Babylonian poem written in Sumerian. The only one of the five poems of Gilgamesh that has no mythological aspects, it has been the subject of discussion since its publication in 1935 and later translation in 1949.

The poem records the Kishite siege of Uruk after lord Gilgamesh refused to submit to them, ending in Aga's defeat and consequently the fall of Kish's hegemony. While the historicity of the war remains an open question, attempts have been made to assign a historical date. The suggested date is around 2600 BC, since archaeological evidence traces the fall of Kish hegemony between ED II and ED III. The location of the battle is described as having occurred outside the walls of Uruk, situated east of the present bed of the Euphrates River.

Aga (Sumerian: 𒀝𒂵 Aga, Agga, or Akkà; fl. c. 2700 BC), commonly known as Aga of Kish, was king in the first dynasty of Kish during the Early Dynastic I period. He is listed in the Sumerian King List as the 23rd king of Kish and is listed in many sources as the son of Enmebaragesi. The Kishite king ruled the city at its peak, probably reaching beyond the territory of Kish, including Umma and Zabala.

The Sumerian poem Gilgamesh and Aga records the Kishite siege of Uruk after its lord Gilgamesh refused to submit to Aga, ending in Aga's defeat and consequently the fall of Kish's hegemony.

Gilgamesh, Enkidu, and the Netherworld (abbreviated as GEN) is one of five extant compositions of the Sumerian language about the deeds of the hero Gilgamesh. It was known to the ancients by its incipit, ud ri-a ud sud-rá ri-a or "In those days, in those faraway days". It spans 330 lines.

Apart from the first few lines of the prologue containing common cosmological sayings, GEN is a unique text from the corpus of Sumerian and Akkadian literature with few serious parallels known from other works.

Shamash (Akkadian: šamaš), also known as Utu (Sumerian: utu 𒀭𒌓 "Sun"), was the ancient Mesopotamian sun god. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa. The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mountain where the sun was believed to set. Among their children were Kittum, the personification of truth, dream deities such as Mamu, as well as the god Ishum. Utu's name could be used to write the names of many foreign solar deities logographically. The connection between him and the Hurrian solar god Shimige is particularly well attested, and the latter could be associated with Aya as well.

While no myths focusing on Utu are known, he often appears as an ally of other figures in both Sumerian and Akkadian compositions. According to narratives about Dumuzi's death, he helped protect him when the galla demons tried to drag him to the underworld. In various versions of the Epic of Gilgamesh and in earlier Gilgamesh myths, he helps this hero defeat the monstrous Humbaba. In the myth Inanna and An, he helps his sister acquire the temple Eanna. In How Grain Came to Sumer, he is invoked to advise Ninazu and Ninmada.