Gilbert Stuart in the context of "London, England"

The United States one-dollar bill (US$1), sometimes referred to as a single, has been the lowest value denomination of United States paper currency since the discontinuation of U.S. fractional currency notes in 1876. An image of the first U.S. president (1789–1797), George Washington, based on the Athenaeum Portrait, a 1796 painting by Gilbert Stuart, is currently featured on the obverse, and the Great Seal of the United States is featured on the reverse. The one-dollar bill has the oldest overall design of all U.S. currency currently in use. The reverse design of the present dollar debuted in 1935, and the obverse in 1963 when it was first issued as a Federal Reserve Note (previously, one-dollar bills were Silver Certificates). The current US two-dollar bill has the oldest obverse design, dating from 1928.

A dollar bill is composed of 25% linen and 75% cotton. That blend makes the notes more difficult to counterfeit compared to paper (as well as increasing its durability). As of December 31, 2018, the average life of a dollar bill in circulation is 6.6 years before it is replaced due to wear. Approximately 42% of all U.S. currency produced in 2009 were one-dollar bills. As of December 31, 2019, there were 12.7 billion one-dollar bills in circulation worldwide. An engraver at the US Bureau of Engraving and Printing, George Frederick Cumming Smillie, made an etching of a painting of George Washington by Gilbert Stuart which was used on multiple banknotes. A vignette of the portrait appears on the one dollar bill of 1899, and on notes since 1918.

Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that were original and matched the huge scale of U.S. landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural U.S. was the American craft movement, which began as a reaction to the Industrial Revolution.

The Athenaeum Portrait, also known as The Athenaeum, is an unfinished painting by Gilbert Stuart of United States President George Washington. Created in 1796, it is Stuart's most notable work. The painting depicts Washington at age 64, about three years before his death, on a brown background. It served as the model for the engraving that would be used for Washington's portrait on the United States one-dollar bill.

A corresponding portrait of Martha Washington is also known as the Athenaeum Portrait, and is exhibited near the painting of her husband at the Boston Museum of Fine Arts and the National Portrait Gallery, Washington, D.C.

John Randolph (June 2, 1773 – May 24, 1833), commonly known as John Randolph of Roanoke, was an American planter, and a politician from Virginia, serving in the House of Representatives at various times between 1799 and 1833, and the Senate from 1825 to 1827. He was also Minister to Russia under Andrew Jackson in 1830. After serving as President Thomas Jefferson's spokesman in the House, he broke with the president in 1805 as a result of what he saw as the dilution of traditional Jeffersonian principles as well as perceived mistreatment during the impeachment of Samuel Chase, in which Randolph served as chief prosecutor. Following this split, Randolph proclaimed himself the leader of the "Old Republicans" or "Tertium Quids", a wing of the Democratic-Republican Party who wanted to restrict the role of the federal government. Specifically, Randolph promoted the Principles of '98, which said that individual states could judge the constitutionality of central government laws and decrees, and could refuse to enforce laws deemed unconstitutional.

Described as a quick-thinking orator with a remarkable wit, he was committed to republicanism and advocated a commercial agrarian society throughout his three decades in Congress. Randolph "attracted great attention from the severity of his invectives, the piquancy of his sarcasms, the piercing intonation of his voice and his peculiarly expressive gesticulation." Randolph's conservative stance, displayed in his arguments against debt and for the rights of the landed, slaveholding gentry, have been attributed to his ties to his family estate and the elitist values of his native Southside Virginia. His belief in the importance of a landed gentry led him to oppose the abolition of entail and primogeniture: "The old families of Virginia will form connections with low people, and sink into the mass of overseers' sons and daughters". Randolph vehemently opposed the War of 1812 and the Missouri Compromise of 1820; he was active in debates about tariffs, manufacturing, and currency. With mixed feelings about slavery, he was one of the founders of the American Colonization Society in 1816, to send free blacks to a colony in Africa. At the same time, he believed that slavery was a necessity in Virginia, saying, "The question of slavery, as it is called, is to us a question of life and death ... You will find no instance in history where two distinct races have occupied the soil except in the relation of master and slave." In addition, Randolph remained dependent on hundreds of slaves to work his tobacco plantation. However, he provided for their manumission and resettlement in the free state of Ohio in his will, providing money for the purchase of land and supplies. They founded Rossville, now part of Piqua, Ohio and Rumley, Ohio.