Gilbert Murray in the context of "Fram (play)"

The Cambridge Ritualists were a recognised group of classical scholars, mostly in Cambridge, England, including Jane Ellen Harrison, F. M. Cornford, Gilbert Murray (actually from the University of Oxford), A. B. Cook, George Thomson, and others. They earned this title because of their shared interest in ritual, specifically their attempts to explain myth and early forms of classical drama as originating in ritual, mainly the ritual seasonal killings of eniautos daimon, or the Year-King. They are also sometimes referred to as the myth and ritual school, or as the Classical Anthropologists.

The Incorporated Stage Society, commonly known as the Stage Society, was an English theatre society with limited membership which mounted private Sunday performances of new and experimental plays, mainly at the Royal Court Theatre (whose Vedrenne-Barker management is said to have originated in the Society's work) but also at other London West End venues. Founded in 1899 "to regenerate the Drama", it followed the Independent Theatre Society in this activity. Its plays particularly included the first performances of plays that had been banned for public performance by the Lord Chamberlain. George Bernard Shaw, Harley Granville Barker, St. John Hankin, Gilbert Murray and Clifford Bax were all involved with the company.

Its council decided in 1930 that the rise of other groups like the Gate Theatre meant the Society's work was complete and, though a 1930 proposal for its dissolution was defeated, it fell into abeyance on the outbreak of the Second World War in 1939. Its aims were continued post-war by the English Stage Company, the resident company at the Royal Court Theatre.