Gilbert Adair (29 December 1944 – 8 December 2011) was a Scottish novelist, poet, film critic, and journalist. He was critically most famous for the "fiendish" translation of Georges Perec's postmodern novel A Void, in which the letter e is not used, but was more widely known for the films adapted from his novels, including Love and Death on Long Island (1997) and The Dreamers (2003).
👉 Gilbert Adair in the context of The Holy Innocents (Adair novel)
The Holy Innocents (1988) is a novel by Scottish writer Gilbert Adair. It is about three young cinephiles: two French siblings and an American stranger who enters their world. Its themes were inspired by Jean Cocteau's 1929 novel Les Enfants Terribles (The Holy Terrors) and by the 1950 film of the same name directed by Jean-Pierre Melville.
Gilbert Adair in the context of Les Enfants terribles
Les Enfants Terribles is a 1929 novel by Jean Cocteau, published by Editions Bernard Grasset. It concerns two siblings, Elisabeth and Paul, who isolate themselves from the world as they grow up, an isolation which is shattered by the stresses of their adolescence. It was first translated into English by Samuel Putnam in 1930 and published by Brewer & Warren. A later English translation by Rosamond Lehmann was published in the U.S. by New Directions (ISBN 0811200213) in 1955, and in Canada by Mclelland & Stewart in 1966, with the title translated as The Holy Terrors. The book is illustrated by the author's own drawings.
Gilbert Adair in the context of The Dreamers (2003 film)
The Dreamers (French: Innocents: The Dreamers) is a 2003 eroticromantic drama film directed by Bernardo Bertolucci from a screenplay by Gilbert Adair, based on Adair's 1988 novel The Holy Innocents. An international co-production by companies from France, Italy and the United Kingdom, the film tells the story of an American university student in Paris who, after meeting a peculiar brother and sister who are fellow film enthusiasts, becomes entangled in an erotic triangle. It is set against the backdrop of the 1968 Paris student riots. The film makes several references to various movies of classical and French New Wave cinema, incorporating clips from films that are often imitated by the actors in particular scenes.
There are two versions: an uncut NC-17-rated version, and an R-rated version that is about three minutes shorter. It was the first credited film appearance of Eva Green, and is considered her breakthrough role.