The gigue (/ʒiːɡ/ ZHEEG, French: [ʒiɡ]) or giga (Italian: [ˈd͡ʒiːɡa]) is a lively baroque dance originating from the English jig. It was imported into France in the mid-17th century and usually appears at the end of a suite.
The gigue was probably never a court dance, but it was danced by nobility on social occasions and several court composers wrote gigues. A gigue, like other Baroque dances, consists of two sections.
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The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).
As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types. The cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue. Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classical music works" and Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God".