Germanic mythology in the context of "Germanic folklore"

A humanoid (/ˈhjuːmənɔɪd/; from English human and -oid "resembling") is a non-human entity with human form or characteristics. By the 20th century, the term came to describe fossils which were morphologically similar, but not identical, to those of the human skeleton.

Although this usage was common in the sciences for much of the 20th century, it is now considered rare. More generally, the term can refer to anything with distinctly human characteristics or adaptations, such as possessing opposable anterior forelimb-appendages (i.e. thumbs), visible spectrum-binocular vision (i.e. having two eyes), or biomechanic plantigrade-bipedalism (i.e. the ability to walk on heels and metatarsals in an upright position). Humanoids may also include human-animal hybrids (where each cell has partly human and partly animal genetic contents). Science fiction media frequently present sentient extraterrestrial lifeforms as humanoid as a byproduct of convergent evolution.

Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik). The early Middle Ages preserves only a small number of legends in writing, mostly from England, including the only surviving early medieval heroic epic in the vernacular, Beowulf. Probably the oldest surviving heroic poem is the Old High German Hildebrandslied (c. 800). There also survive numerous pictorial depictions from Viking Age Scandinavia and areas under Norse control in the British Isles. These often attest scenes known from later written versions of legends connected to the hero Sigurd. In the High and Late Middle Ages, heroic texts are written in great numbers in Scandinavia, particularly Iceland, and in southern Germany and Austria. Scandinavian legends are preserved both in the form of Eddic poetry and in prose sagas, particularly in the legendary sagas such as the Völsunga saga. German sources are made up of numerous heroic epics, of which the most famous is the Nibelungenlied (c. 1200).

Grendel is a fictional character in the Anglo-Saxon epic poem Beowulf (700–1000 AD). He is one of the poem's three antagonists (along with his mother and the dragon), all aligned in opposition against the protagonist Beowulf. He is referred to as both an eoten and a þyrs, types of beings from wider Germanic mythology. He is also described as a descendant of the Biblical Cain and "a creature of darkness, exiled from happiness and accursed of God, the destroyer and devourer of our human kind." He is usually depicted as a monster or a giant, although his status as a monster, giant, or other form of supernatural being is not clearly described in the poem and thus remains the subject of scholarly debate. The character of Grendel and his role in the story of Beowulf have been subject to numerous reinterpretations and re-imaginings. Grendel is feared by all in Heorot but Beowulf, who kills both him and his mother.

Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.

Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds that flank a central sacred tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings. Various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök when an immense battle occurs between the gods and their enemies, and the world is enveloped in flames, only to be reborn anew. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world.

Trees hold a particular role in Germanic paganism and Germanic mythology, both as individuals (sacred trees) and in groups (sacred groves). The central role of trees in Germanic religion is noted in the earliest written reports about the Germanic peoples, with the Roman historian Tacitus stating that Germanic cult practices took place exclusively in groves rather than temples. Scholars consider that reverence for and rites performed at individual trees are derived from the mythological role of the world tree, Yggdrasil; onomastic and some historical evidence also connects individual deities to both groves and individual trees. After Christianisation, trees continue to play a significant role in the folk beliefs of the Germanic peoples.

Baldr (Old Norse also Balder, Baldur) is a god in Germanic mythology. In Norse mythology, he is a son of the god Odin and the goddess Frigg, and has numerous brothers, such as Thor and Váli. In wider Germanic mythology, the god was known in Old English as Bældæġ, and in Old High German as Balder, all ultimately stemming from the Proto-Germanic theonym *Balðraz ('hero' or 'prince').

During the 12th century, Danish accounts by Saxo Grammaticus and other Danish Latin chroniclers recorded a euhemerized account of his story. Compiled in Iceland during the 13th century, but based on older Old Norse poetry, the Poetic Edda and the Prose Edda contain numerous references to the death of Baldr as both a great tragedy to the Æsir and a harbinger of Ragnarök.

A jötunn (also jotun; plural jötnar; in the normalised scholarly spelling of Old Norse, jǫtunn /ˈjɔːtʊn/; or, in Old English, eoten, plural eotenas) is a type of being in Germanic mythology. In Norse mythology, jötnar are often contrasted with gods (the Æsir and Vanir) and with other non-human figures, such as dwarfs and elves, although the groupings are not always mutually exclusive. The entities included in the jötunn category are referred to by several other terms, including risi, þurs (or thurs) and troll if male and gýgr or tröllkona if female. The jötnar typically dwell across boundaries from the gods and humans in lands such as Jötunheimr.

The jötnar are frequently attested throughout the Old Norse records, with eotenas also featuring in the Old English epic poem Beowulf. The usage of the terms is dynamic, with an overall trend that the beings become portrayed as less impressive and more negative as Christianity becomes more influential over time. Although the term "giant" is sometimes used to gloss the word "jötunn" and its apparent synonyms in some translations and academic texts, this is seen as problematic by some scholars as jötnar are not necessarily notably large.

Worm, wurm or wyrm (Old English: wyrm; Old Norse: ormr; Old High German: wurm), meaning serpent, are archaic terms for dragons (Old English: draca; Old Norse: dreki/*draki; Old High German: trahho) in the wider Germanic mythology and folklore, in which they are often portrayed as large venomous snakes and hoarders of gold. Especially in later tales, however, they share many common features with other dragons in European mythology, such as having wings.

Prominent worms attested in medieval Germanic works include the dragon that killed Beowulf, the central dragon in the Völsung Cycle – Fáfnir, Nidhogg (Old Norse: Níðhǫggr), and the great world serpent, Jǫrmungandr, including subcategories such as lindworms and sea serpents.

Týr (/tɪər/; Old Norse: Týr, pronounced [tyːr]) is a god in Germanic mythology and member of the Æsir. In Norse mythology, which provides most of the surviving narratives about gods among the Germanic peoples, Týr sacrifices his right hand to the monstrous wolf Fenrir, who bites it off when he realizes the gods have bound him. Týr is foretold of being consumed by the similarly monstrous dog Garmr during the events of Ragnarök.

The interpretatio romana generally renders the god as Mars, the ancient Roman war god, and it is through that lens that most Latin references to the god occur. For example, the god may be referenced as Mars Thingsus (Latin 'Mars of the Assembly [Thing]') on 3rd century Latin inscription, reflecting a strong association with the Germanic thing, a legislative body among the ancient Germanic peoples. By way of the opposite process of interpretatio germanica, Tuesday is named after Týr ('Týr's day'), rather than Mars, in English and other Germanic languages.