Germanic folklore in the context of "Dwarf (folklore)"

A dwarf (pl. dwarfs or dwarves) is a type of supernatural short human-shaped being in Germanic folklore. Accounts of dwarfs vary significantly throughout history. They are commonly, but not exclusively, presented as living in mountains or stones and being skilled craftsmen. In early literary sources, only males are explicitly referred to as dwarfs. However, they are described as having sisters and daughters, while male and female dwarfs feature in later saga literature and folklore. Dwarfs are sometimes described as short; however, scholars have noted that this is neither explicit nor relevant to their roles in the earliest sources.

Dwarfs continue to feature in modern popular culture, such as in the works of J. R. R. Tolkien and Terry Pratchett, where they are often, but not exclusively, presented as distinct from elves.

A fairy (also called fay, fae, fae folk, fey, fair folk, or faerie) is a type of mythical being or legendary creature, generally described as anthropomorphic, found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, and French folklore), a form of spirit, often with magical, metaphysical, supernatural, or preternatural qualities.

Myths and stories about fairies do not have a single origin but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature.

Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik). The early Middle Ages preserves only a small number of legends in writing, mostly from England, including the only surviving early medieval heroic epic in the vernacular, Beowulf. Probably the oldest surviving heroic poem is the Old High German Hildebrandslied (c. 800). There also survive numerous pictorial depictions from Viking Age Scandinavia and areas under Norse control in the British Isles. These often attest scenes known from later written versions of legends connected to the hero Sigurd. In the High and Late Middle Ages, heroic texts are written in great numbers in Scandinavia, particularly Iceland, and in southern Germany and Austria. Scandinavian legends are preserved both in the form of Eddic poetry and in prose sagas, particularly in the legendary sagas such as the Völsunga saga. German sources are made up of numerous heroic epics, of which the most famous is the Nibelungenlied (c. 1200).

Heathenry, also termed Heathenism, contemporary Germanic Paganism, or Germanic Neopaganism, is a modern pagan religion. Scholars of religious studies classify it as a new religious movement. Developed in Europe during the early 20th century, its practitioners model it on the pre-Christian religions adhered to by the Germanic peoples of the Iron Age and Early Middle Ages. In an attempt to reconstruct these past belief systems, Heathenry uses surviving historical, archaeological, and folkloric evidence as a basis, although approaches to this material vary considerably.

Heathenry does not have a unified theology but is typically polytheistic, centering on a pantheon of deities from pre-Christian Germanic Europe. It adopts cosmological views from these past societies, including an animistic view of the cosmos in which the natural world is imbued with spirits. The religion's deities and spirits are honored in sacrificial rites known as blóts in which food and libations are offered to them. These are often accompanied by symbel, the act of ceremonially toasting the gods with an alcoholic beverage. Some adherents also engage in rituals designed to induce an altered state of consciousness and visions, most notably seiðr and galdr, with the intent of gaining wisdom and advice from the deities. Many solitary adherents follow the religion by themselves. Other Heathens assemble in small groups, usually known as kindreds or hearths, to perform their rites outdoors or in specially constructed buildings. Heathen ethical systems emphasize honor, personal integrity, and loyalty, while beliefs about an afterlife vary and are rarely emphasized.

In Germanic heroic legend and folklore, Fáfnir, was a dwarf or other type of humanoid, who had shifted into the hamr of a Germanic dragon (a worm, "serpent", in period nomenclature), in order to protect a treasure, and then was slain by a member of the Völsung family, typically Sigurð.

In Nordic mythology, he is the son of Hreiðmarr, and brother of Regin and Ótr. He is attested throughout the Völsung Cycle, where, Fáfnir commits patricide out of greed, taking the ring and hoard of the dwarf Andvari, and shapeshifting into a dragon. Fáfnir's brother Regin later assisted Sigurð in obtaining the sword Gram, by which Fáfnir is killed. Fáfnir has been identified with an unnamed dragon killed by a Völsung in other Germanic works, including Beowulf, the Nibelunglied and a number of skaldic poems. Fáfnir and his killing by Sigurð are further represented in numerous medieval carvings from the British Isles and Scandinavia, and a single axe head in a Scandinavian style found in Russia. The story of Fáfnir has continued to have influence in the modern period, such as in the works of J.R.R Tolkien, who drew inspiration from the tale of Fáfnir in his portrayals of Smaug and Gollum.