German folklore in the context of "Danube Swabians"

The Brothers Grimm (German: die Brüder Grimm or die Gebrüder Grimm), Jacob (1785–1863) and Wilhelm (1786–1859), were German academics who together collected and published folklore. The brothers are among the best-known storytellers of folktales, popularizing stories such as "Cinderella" ("Aschenputtel"), "The Frog Prince" ("Der Froschkönig"), "Hansel and Gretel" ("Hänsel und Gretel"), "Town Musicians of Bremen" ("Die Bremer Stadtmusikanten"), "Little Red Riding Hood" ("Rotkäppchen"), "Rapunzel", "Rumpelstiltskin" ("Rumpelstilzchen"), "Sleeping Beauty" ("Dornröschen"), and "Snow White" ("Schneewittchen"). Their first collection of folktales, Children's and Household Tales (Kinder- und Hausmärchen), was first published in 1812.

The Brothers Grimm spent their formative years in the town of Hanau in the Landgraviate of Hesse-Kassel. Their father's death in 1796 (when Jacob was 11 and Wilhelm 10) caused great poverty for the family and greatly affected the brothers throughout their lives. Both brothers attended Marburg University, where they developed a curiosity about German folklore, which grew into a lifelong dedication to collecting German folktales.

In German folklore and ghostlore, a poltergeist (/ˈpoʊltərˌɡaɪst/ or /ˈpɒltərˌɡaɪst/; German: [ˈpɔltɐɡaɪ̯st] ; 'rumbling ghost' or 'noisy spirit') is a type of ghost or spirit that is responsible for physical disturbances, such as loud noises and objects being moved or destroyed. Most claims or fictional descriptions of poltergeists show them as being capable of pinching, biting, hitting, and tripping people. They are also depicted as capable of the movement or levitation of objects such as furniture and cutlery, or noises such as knocking on doors. Foul smells are also associated with poltergeist occurrences, as well as spontaneous fires and different electrical issues such as flickering lights.

These manifestations have been recorded in many cultures and countries, including Brazil, Australia, the United States, Japan and most European nations. The first recorded cases date back to the 1st century.

A kobold (German: [ˈkoːbɔlt]; kobolt, kobolde, cobold) is a general or generic name for the household spirit (hausgeist) in German folklore.

It may invisibly make noises (i.e., be a poltergeist), or helpfully perform kitchen chores or stable work. But it can be a prankster as well. It may accept a bribe or offering of milk, etc. for its efforts or good behaviour. When mistreated (cf. fig. right), its reprisal can be utterly cruel.

Nordic folklore is the folklore of Denmark, Norway, Sweden, Iceland and the Faroe Islands. It has common roots with, and has been under mutual influence with, folklore in England, Germany, the Low Countries, the Baltic countries, Finland and Sápmi. Folklore is a concept encompassing expressive traditions of a particular culture or group. The peoples of Scandinavia are heterogenous, as are the oral genres and material culture that has been common in their lands. However, there are some commonalities across Scandinavian folkloric traditions, among them a common ground in elements from Norse mythology as well as Christian conceptions of the world.

Among the many tales common in Scandinavian oral traditions, some have become known beyond Scandinavian borders – examples include The Three Billy Goats Gruff and The Giant Who Had No Heart in His Body.

Feldgeister ('field spirits'; German: [ˈfɛltˌɡaɪ̯stɐ]; singular: Feldgeist) or Korndämonen ('corn demons'; German: [ˈkɔʁnˌdɛˈmoːnən]; singular: Korndämon) are corn spirits in German folklore. Feldgeister are often also wind spirits, causing lightning and rain.

Numerous Feldgeister are known in German folklore, some shaped as animals, some in human form. The last grain heads and tree fruits are often left at their place as a sacrifice for the agricultural spirits. During harvest season Feldgeister flee deeper into the fields to escape the mowers. With the last cornstalks the corn spirit becomes trapped. Either it is killed by cutting the grain heads, threshing the corn or it is brought to the village in a ceremonial manner, shaped as a corn doll. Direct contact to the Feldgeist causes illness.

Reynard the Fox is a literary cycle of medieval allegorical Dutch, English, French and German fables. The first extant versions of the cycle date from the second half of the 12th century. The genre was popular throughout the Late Middle Ages, as well as in chapbook form throughout the Early Modern period.

The stories are largely concerned with the main character Reynard, an anthropomorphic red fox and trickster figure. His adventures usually involve his deceiving other anthropomorphic animals for his own advantage, or trying to avoid their retaliatory efforts. His main enemy and victim across the cycle is his uncle, the wolf, Isengrim (or Ysengrim).

Faust (/faʊst/ FOWST, German: [faʊst] ) is the protagonist of a classic German legend based on the historical Johann Georg Faust (c. 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a deal with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain.

The Faust of early books – as well as the ballads, dramas, movies, and puppet-plays which grew out of them – is irrevocably damned because he prefers human knowledge over divine knowledge: "He laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine". Chapbooks containing variants of this legend were popular throughout Germany in the 16th century. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play The Tragical History of Doctor Faustus (c. 1592).In Goethe's reworking of the story over two hundred years later, Faust seduces a pious girl who then dies by suicide, but after many further adventures Faust is saved from damnation through the intervention of penitent women, including the girl whose life he ruined.