Georges Bizet in the context of "French opera"

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👉 Georges Bizet in the context of French opera

French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach.

French opera began at the court of Louis XIV with Jean-Baptiste Lully's Cadmus et Hermione (1673), although there had been various experiments with the form before that, most notably Pomone by Robert Cambert. Lully and his librettist Quinault created tragédie en musique, a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with greater focus on the drama. At the same time, by the middle of the 18th century another genre was gaining popularity in France: opéra comique, in which arias alternated with spoken dialogue. By the 1820s, Gluckian influence in France had given way to a taste for the operas of Rossini. Rossini's Guillaume Tell helped found the new genre of Grand opera, a form whose most famous exponent was Giacomo Meyerbeer. Lighter opéra comique also enjoyed tremendous success in the hands of Boieldieu, Auber, Hérold and Adam. In this climate, the operas of Hector Berlioz struggled to gain a hearing. Berlioz's epic masterpiece Les Troyens, the culmination of the Gluckian tradition, was not given a full performance for almost a hundred years after it was written.

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Georges Bizet in the context of Bizet metro station

Bizet (French pronunciation: [bizɛ]) is a Brussels Metro station on the western branch of line 5. It is located in the municipality of Anderlecht, in the western part of Brussels, Belgium. The station received its name from the aboveground square Place Bizet/Bizetplein, itself named after the French classical music composer Georges Bizet.

The metro station opened on 10 January 1992, and until 2003, it was the western terminus of former line 1B. On 15 September 2003, a further extension from Bizet westwards to Erasme/Erasmus was opened. Then, following the reorganisation of the Brussels Metro on 4 April 2009, it is served by the extended east–west line 5.

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Georges Bizet in the context of Carmen

Carmen (French: [kaʁmɛn] ) is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic HalĂ©vy, based on the novella of the same title by Prosper MĂ©rimĂ©e. The opera was first performed by the OpĂ©ra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias.

The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous torero Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the murder of the main character on stage, broke new ground in French opera and were highly controversial.

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Georges Bizet in the context of Her Majesty's Theatre

His Majesty's Theatre is a West End theatre situated in the Haymarket in the City of Westminster, London. The building, designed by Charles J. Phipps, was constructed in 1897 for the actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art (RADA) at the theatre. In the early decades of the 20th century Tree produced spectacular productions of Shakespeare and other classical works, and the theatre hosted premieres by such playwrights as Bernard Shaw, J. M. Synge and, later, Noël Coward and J. B. Priestley. Since the First World War the wide stage has made the theatre suitable for large-scale musical productions, and His Majesty's has accordingly specialised in hosting musicals. It has been home to record-setting musical theatre runs such as the First World War hit Chu Chin Chow and Andrew Lloyd Webber's The Phantom of the Opera, which has run at His Majesty's since 1986, except during the COVID-19 pandemic theatre closures.

The first theatre on the site was established in 1705 by the architect and playwright John Vanbrugh as the Queen's Theatre. Legitimate drama unaccompanied by music was prohibited by law in all but the two London patent theatres, and the theatre quickly became an opera house. Between 1711 and 1739 more than 25 operas by George Frideric Handel premiered here. The theatre burnt down in 1789, and a new theatre was completed in 1791. Some of Joseph Haydn's series of concerts in London took place at the theatre in the 1790s. In the early 19th century the theatre was home to an opera company (which moved to the Theatre Royal, Covent Garden, in 1847) presenting the first London performances of Mozart's La clemenza di Tito, CosĂŹ fan tutte and Don Giovanni. It also hosted the ballet of Her Majesty's Theatre in the mid-19th century, before returning to opera with the London premieres of such works as Bizet's Carmen and Wagner's Ring cycle. A third building was constructed in 1868.

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Georges Bizet in the context of Henri Meilhac

Henri Meilhac (French pronunciation: [ɑ̃ʁi mɛjak]; 23 February 1830 – 6 July 1897) was a prolific French playwright and opera librettist, known for his collaborations with Ludovic HalĂ©vy on comic operas with music by Jacques Offenbach. He also wrote occasionally for serious works including Georges Bizet's Carmen (with HalĂ©vy) and Jules Massenet's Manon.

Born in Paris, Meilhac began writing for a humorous magazine in 1852, and four years later he began a career as a playwright. In 1860 he collaborated for the first time with Halévy, an old schoolfriend, on a one-act comedy, presented at the Théùtre des Variétés. Over the next twenty-one years the two co-wrote fifty more stage works.

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