George Leybourne (17 March 1842 – 15 September 1884) was a singer and Lion comique style entertainer in British music halls during the 19th century who, for much of his career, was known by the title of one of his songs, "Champagne Charlie". Another of his songs, and one that can still be heard, is "The Daring Young Man on the Flying Trapeze". He remains among the best known 19th century music hall performers.
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👉 George Leybourne in the context of Lion comique
The lion comique was a type of popular entertainer in the Victorian music halls, a parody of upper-class toffs or "swells" made popular by Alfred Vance and G. H. MacDermott, among others. They were artistes whose stage appearance, resplendent in evening dress (generally white tie), contrasted with the cloth-cap image of most of their music-hall contemporaries.
According to Michael Kilgarriff, it was J. J. Poole, manager of the South London Music Hall, who first described the performer George Leybourne as "a Lion of a Comic". Victorian fashion then led to the use of the French words, lion comique, which in turn became a generic term for all performers with an imposing appearance and personality.
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George Leybourne in the context of Music hall
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era until around World War I. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.
Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food and alcohol and smoke tobacco in the auditorium while the entertainment took place, with the cheapest seats located in the gallery. This differed from the conventional type of theatre, which seats the audience in stalls with a separate bar-room. Major music halls were based around London. Early examples included: the Canterbury Music Hall in Lambeth, Wilton's Music Hall in Tower Hamlets, and The Middlesex in Drury Lane, otherwise known as the Old Mo. By the mid-19th century, the halls cried out for many new and catchy songs. As a result professional songwriters were enlisted to provide the music for a plethora of star performers, such as Marie Lloyd, Dan Leno, Little Tich, and George Leybourne. All manner of other entertainment was performed: male and female impersonators, lions comiques, mime artists and impressionists, trampoline acts, and comic pianists (such as John Orlando Parry and George Grossmith) were just a few of the many types of entertainments the audiences could expect to find over the next forty years.
George Leybourne in the context of The Daring Young Man on the Flying Trapeze (song)
"The Daring Young Man on the Flying Trapeze", originally published under the title "The Flying Trapeze" and also known as "The Man on the Flying Trapeze", is a 19th-century popular song about a flying trapeze circus performer, Jules Léotard. The refrain states:
The song was first published in 1867, with words written by the British lyricist and singer George Leybourne, music by Gaston Lyle, and arrangement by Alfred Lee. The lyrics were based on the phenomenal success of trapeze artist Jules Léotard, for whom the one-piece dancer's garment was named.