Totem pole in the context of "Totem"

In astronomy, axis mundi is the Latin term for the axis of Earth between the celestial poles. In a geocentric coordinate system, this is the axis of rotation of the celestial sphere. Consequently, in ancient Greco-Roman astronomy, the axis mundi is the axis of rotation of the planetary spheres within the classical geocentric model of the cosmos.

In 20th-century comparative mythology, the term axis mundi – also called the cosmic axis, world axis, world pillar, center of the world, or world tree – has been greatly extended to refer to any mythological concept representing "the connection between Heaven and Earth" or the "higher and lower realms". Mircea Eliade introduced the concept in the 1950s. Axis mundi closely relates to the mythological concept of the omphalos (navel) of the world or cosmos.Items presented as examples of the axis mundi by comparative mythologists include plants (notably a tree but also other types of plants such as a vine or stalk), a mountain, a column of smoke or fire, or a product of human manufacture (such as a staff, a tower, a ladder, a staircase, a maypole, a cross, a steeple, a rope, a totem pole, a pillar, a spire). Its proximity to heaven may carry implications that are chiefly religious (pagoda, Temple Mount, minaret, church) or secular (obelisk, lighthouse, rocket, skyscraper). The image appears in religious and secular contexts. The axis mundi symbol may be found in cultures utilizing shamanic practices or animist belief systems, in major world religions, and in technologically advanced "urban centers". In Mircea Eliade's opinion: "Every Microcosm, every inhabited region, has a Centre; that is to say, a place that is sacred above all."

Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.

The making of sculpture in wood has been extremely widely practised, but does not survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and other regions. Wood is light and can take very fine detail so it is highly suitable for masks and other sculpture intended to be worn or carried. It is also much easier to work on than stone and can be carved more thinly and precisely due to its fibrous strength.

Thunderbird Park is a park in Victoria, British Columbia next to the Royal British Columbia Museum. The park is home to many totem poles (mostly Gitxsan, Haida, and Kwakwakaʼwakw) and other First Nation monuments. The park takes its name from the mythological Thunderbird of Indigenous North American cultures which is depicted on many totem poles.

Also in the park are St. Anne's Schoolhouse (built 1844), Helmcken House (built in 1852 by Dr. John Helmcken), and Mungo Martin House (Wawadit'la), a traditional Kwakwaka'wakw "big house" built in 1953 by Kwakwaka'wakw Chief Mungo Martin. The park is part of the Royal BC Museum Cultural Precinct, an area around the museum that contains a number of historical sites and monuments.

Thuja plicata is a large evergreen coniferous tree in the family Cupressaceae, native to the Pacific Northwest of North America. Its common name is western redcedar. It is also less commonly called western red cedar, pacific red cedar, giant arborvitae, western arborvitae, just cedar, giant cedar, or shinglewood. It is not a true cedar of the genus Cedrus. T. plicata is the largest species in the genus Thuja, growing up to 70 metres (230 ft) tall and 7 m (23 ft) in diameter. It mostly grows in areas that experience a mild climate with plentiful rainfall, although it is sometimes present in drier areas on sites where water is available year-round, such as wet valley bottoms and mountain streamsides. The species is shade-tolerant and able to establish in forest understories and is thus considered a climax species. It is a very long-lived tree, with some specimens reaching ages of well over 1,000 years.

Indigenous peoples of the Pacific Northwest use the wood of this species for many purposes, such as building canoes, totem poles, and tools. The bark is harvested by indigenous peoples and processed into a fiber, which they use to make items such as rope, baskets, clothing, and rain hats. Because of its wide range of uses, the species is of great cultural importance to these people. Western redcedar wood is aromatic and rot-resistant and is used for applications such as the construction of shingles and siding. It has been introduced to cool temperate areas in other parts of the world, such as Northern Europe and New Zealand.