Geoglyph in the context of "Hill figure"

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⭐ Core Definition: Geoglyph

A geoglyph is a large design or motif – generally longer than 4 metres (13 ft) – produced on the ground by durable elements of the landscape, such as stones, stone fragments, gravel, or earth. A positive geoglyph is formed by the arrangement and alignment of materials on the ground in a manner akin to petroforms, while a negative geoglyph is formed by removing part of the natural ground surface to create differently coloured or textured ground in a manner akin to petroglyphs.

Geoglyphs are generally a type of land art, and sometimes rock art. A hill figure is created on a slope, so that it can be seen from a distance.

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👉 Geoglyph in the context of Hill figure

A hill figure is a large visual representation created by cutting into a steep hillside and revealing the underlying geology. It is a type of geoglyph usually designed to be seen from afar rather than above. In some cases trenches are dug and rubble made from material brighter than the natural bedrock is placed into them. The new material is often chalk, a soft and white form of limestone, leading to the alternative name of chalk figure for this form of art.

Hill figures cut in grass are a phenomenon especially seen in England, where examples include the Cerne Abbas Giant, the Uffington White Horse, and the Long Man of Wilmington, as well as the "lost" carvings at Cambridge, Oxford and Plymouth Hoe. From the 18th century onwards, many further ones were added. Many figures long thought to be ancient have been found to be relatively recent when subjected to modern archaeological scrutiny, at least in their current form. Only the Uffington White Horse appears to retain a prehistoric shape, while the Cerne Abbas Giant may be prehistoric, Romano-British, or Early Modern. Nevertheless, these figures, and their possible lost companions, have been iconic in the English people's conception of their past.

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Geoglyph in the context of Nazca culture

The Nazca culture (also Nasca) was the archaeological culture that flourished from c. 100 BC to 800 AD beside the arid, southern coast of Peru in the river valleys of the Rio Grande de Nazca drainage and the Ica Valley. Strongly influenced by the preceding Paracas culture, which was known for extremely complex textiles, the Nazca produced an array of crafts and technologies such as ceramics, textiles, and geoglyphs.

They are known for two extensive construction projects that would have required the coordination of large groups of laborers: the Nazca Lines, immense designs in the desert whose purpose is unknown, and puquios, underground aqueducts for providing water for irrigation and domestic purposes in the arid environment, several dozen of which still function today. The Nazca Province in the Ica Region was named for this people.

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Geoglyph in the context of Nazca Lines

The Nazca lines (/ˈnɑːzkə/, /-kɑː/) are a group of over 700 geoglyphs made in the soil of the Nazca Desert in southern Peru. They were created between 500 BC and 500 AD by people making depressions or shallow incisions in the desert floor, removing pebbles and leaving different-colored dirt exposed. There are two major phases of the Nazca lines, Paracas phase, from 400 to 200 BC, and Nazca phase, from 200 BC to 500 AD. In the 21st century, several hundred new figures had been found with the use of drones, and archaeologists believe that there are more to be found.

Most lines run straight across the landscape, but there are also figurative designs of animals and plants. The combined length of all the lines is more than 1,300 km (800 mi), and the group covers an area of about 50 km (19 sq mi). The lines are typically 10 to 15 cm (4–6 in) deep. They were made by removing the top layer of reddish-brown ferric oxide–coated pebbles to reveal a yellow-grey subsoil. The width of the lines varies considerably, but more than half are slightly more than 33 cm (13 in) wide. In some places they may be only 30 cm (12 in) wide, and in others reach 1.8 m (6 ft) wide.

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Geoglyph in the context of Paracas Peninsula

The Paracas Peninsula is a desert peninsula within the boundaries of the Paracas National Reserve, a marine reserve which extends south along the coast of Peru. It is the only marine reserve in the country. The peninsula is located within the Paracas District of Pisco Province in the Ica Region, on the south coast of Peru. This unusual peninsula may be best known for the Paracas Candelabra, a prehistoric geoglyph nearly 600 ft (183 m) tall that was created on the north face of the peninsula ridge. Pottery nearby was dated to 200 BCE, placing it within the Paracas culture. Its origins and purpose have inspired many theories.

A shipping port was built along the northern peninsula, where deeper water permits larger transport and cruise ships to anchor. Tourists can have access to the Paracas National Reserve, a large marine reserve, while the ships are protected against ocean waves and currents. The peninsula includes red sand beaches formed from sands eroded from nearby cliffs.

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