Hedda Gabler in the context of "Ibsen"

⭐ In the context of Henrik Ibsen's career, despite achieving international recognition and spending decades abroad, where are the majority of his plays primarily set?

Ad spacer

⭐ Core Definition: Hedda Gabler

Hedda Gabler (Norwegian pronunciation: [ˈhɛ̂dːɑ ˈɡɑ̀ːblər]) is a play written by Norwegian playwright Henrik Ibsen. The world premiere was staged on 31 January 1891 at the Residenztheater in Munich. Ibsen himself was in attendance, although he remained back-stage. The play has been canonized as a masterpiece within the genres of literary realism, 19th-century theatre, and world drama. Ibsen mainly wrote realistic plays until his forays into modern drama. Hedda Gabler dramatizes the experiences of the title character, Hedda, the daughter of a general, who is trapped in a marriage and a house that she does not want. Overall, the title character for Hedda Gabler is considered one of the great dramatic roles in theater. The year following its publication, the play received negative feedback and reviews. Hedda Gabler has been described as a female variation of Hamlet.

Hedda's married name is Hedda Tesman; Gabler is her maiden name. On the subject of the title, Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Hedda Gabler in the context of Henrik Ibsen

Henrik Johan Ibsen (/ˈɪbsən/; Norwegian: [ˈhɛ̀nrɪk ˈɪ̀psn̩]; 20 March 1828 – 23 May 1906) was a Norwegian playwright. He is considered one of the world's pre-eminent writers of the 19th century and is often referred to as "the father of modern drama." He pioneered theatrical realism but also wrote lyrical epic works. His major works include Brand, Peer Gynt, Emperor and Galilean, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, Hedda Gabler, The Master Builder, and When We Dead Awaken. Ibsen is the most frequently performed dramatist in the world after Shakespeare. Store norske leksikon describes him as "the center of the Norwegian literary canon."

Ibsen was born into the merchant elite of the port town of Skien and had strong family ties to the Paus family and other families who had held power and wealth in Telemark since the mid-1500s. He established himself as a theater director in Norway during the 1850s and gained international recognition as a playwright with the plays Brand and Peer Gynt in the 1860s. From 1864, he lived for 27 years in Italy and Germany, primarily in Rome, Dresden, and Munich, making only brief visits to Norway, before moving to Christiania (Oslo) in 1891. Most of Ibsen's plays are set in Norway, often in bourgeois environments and places reminiscent of Skien, and he frequently drew inspiration from family members. Ibsen's early verse play Peer Gynt has strong surreal elements. After Peer Gynt Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later work examined the realities that lay behind the façades, revealing much that was disquieting to a number of his contemporaries. He had a critical eye and conducted a free inquiry into the conditions of life and issues of morality. Critics frequently rate The Wild Duck and Rosmersholm as Ibsen's best works; the playwright himself regarded Emperor and Galilean as his masterpiece.

↑ Return to Menu

Hedda Gabler in the context of Character (arts)

In fiction, a character is a person or being in a narrative (such as a novel, play or film). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed. (Before this development, the term dramatis personae, naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks.) A character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterization.

A character who stands as a representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualized. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts.

↑ Return to Menu

Hedda Gabler in the context of Benedict Cumberbatch

Benedict Timothy Carlton Cumberbatch (born 19 July 1976) is an English actor. He has received various accolades, including a BAFTA TV Award, a Primetime Emmy Award and a Laurence Olivier Award, in addition to nominations for two Academy Awards and four Golden Globes. In 2014, Time magazine named him one of the 100 most influential people in the world, and in 2015, he was appointed a CBE for services to performing arts and charity.

Cumberbatch studied drama at the Victoria University of Manchester and obtained a Master of Arts in classical acting at the London Academy of Music and Dramatic Art. He began acting in Shakespearean theatre productions before making his West End debut in Richard Eyre's revival of Hedda Gabler in 2005. Since then, he has starred in Royal National Theatre productions of After the Dance (2010) and Frankenstein (2011), winning the Laurence Olivier Award for Best Actor for the latter. In 2015, he played the title role in Hamlet at the Barbican Theatre.

↑ Return to Menu

Hedda Gabler in the context of Richard Eyre

Sir Richard Charles Hastings Eyre CH CBE (born 28 March 1943) is an English film, theatre, television and opera director. Eyre has received numerous accolades including three Laurence Olivier Awards as well as nominations for six BAFTA Awards and two Tony Awards. He was appointed a Commander of the Order of the British Empire (CBE) in the 1992 News Year Honours, and knighted in the 1997 New Year Honours.

Eyre started his career as the associate director at the Royal Lyceum Theatre, Edinburgh from 1967 to 1972 before becoming the artistic director of the Royal National Theatre from 1987 to 1999. He has directed numerous West End productions earning three Laurence Olivier Awards for Best Director for Guys and Dolls (1982), King Lear (1998), and Hedda Gabler (2006). He was also Olivier-nominated for Racing Demon (1989), Skylight (1995), John Gabriel Borkman (1997), Vincent in Brixton (2003), Mary Poppins (2005), and Ghosts (2014). For his work on Broadway he received Tony Award for Best Director nominations for The Judas Kiss (1998) and The Crucible (2002).

↑ Return to Menu