Gemäldegalerie, Berlin in the context of "Berlin State Museums"

Portrait of a Woman is a c.1475 tempera and oil on panel painting by Antonio or Piero del Pollaiuolo. It has been in the Uffizi in Florence since 1861. Since 1861 it has been misattributed to Piero della Francesca, a young Leonardo da Vinci and Cosimo Rosselli.

It forms part of a group of profile portraits of women which also includes one in Milan, one at the Metropolitan Museum of Art, one in the Isabella Stewart Gardner Museum and another at the Gemäldegalerie, Berlin. Berenson attributes the more accomplished works in the group to Antonio and the others (along with the weaker sections of the better works) to Piero. Other art historians attribute them all to Piero on the grounds that Vasari mentions Antonio only as an engraver and sculptor and not as a painter. A third group attributes all the profiles to Piero and other mythological, action and battle scenes among the Pollaiolo oeuvre to Antonio.

Doge Leonardo Loredan with Four Sons, also Portrait of the Loredan Family (Italian: Ritratto della famiglia Loredano), is a large tempera-on-poplar painting by the Italian Renaissance master Giovanni Bellini depicting the noble Loredan family of Venice, namely Leonardo Loredan, Doge of Venice and his four sons, Lorenzo, Girolamo, Alvise, and Bernardo. It was painted in 1507 and is now on display at the Gemäldegalerie, part of the Berlin State Museums.

The Bladelin Altarpiece, or Middelburg Altarpiece, is a triptych painting created around 1450 by the Early Netherlandish painter Rogier van der Weyden, towards the end of his artistic career. It depicts scenes relating to the birth of Jesus; and as the only nativity scene definitively attributed to van der Weyden is sometimes known as the Nativity Triptych (although the Saint Columba Altarpiece shows the Adoration of the Magi).

The triptych was donated to the new church of Middelburg in 1460, possibly by the town's founder Pieter Bladelin. It has been in the Gemäldegalerie, Berlin, since 1834.

Painterliness is a concept based on German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art.

A painting is said to be painterly when there are visible brushstrokes in the final work – the result of applying paint in a manner that is not entirely controlled, generally without closely following carefully drawn lines. Any painting media – oils, acrylics, watercolors, gouache, etc. – can produce either linear or painterly work. Some artists whose work could be characterized as painterly are Pierre Bonnard, Francis Bacon, Vincent van Gogh, Rembrandt, Renoir, John Singer Sargent, and Andrew Wyeth (his early watercolors). The Impressionists, Fauvists and the Abstract Expressionists tended strongly to be painterly.

Portrait of a Young Girl is a small oil-on-oak panel painting by the Early Netherlandish painter Petrus Christus. It was completed towards the end of his life, between 1465 and 1470, and is held in the Gemäldegalerie, Berlin. It marks a major stylistic advance in contemporary portraiture; the girl is set in an airy, three-dimensional, realistic setting, and stares out at the viewer with a complicated expression that is reserved, yet intelligent and alert.

It is widely regarded as one of the most exquisite portraits of the Northern Renaissance. Art historian Joel Upton described the sitter as resembling "a polished pearl, almost opalescent, lying on a cushion of black velvet." The panel builds on the work of Jan van Eyck and Rogier van der Weyden, and was highly influential in the decades after its completion. Its appeal lies in part in her intriguing stare, accentuated by the slight misalignment of her eyes, while the eyebrows are faintly skewed.