Gaston Velle in the context of "Martin Scorsese"

Play Trivia Questions online!

or

Skip to study material about Gaston Velle in the context of "Martin Scorsese"

Ad spacer

⭐ Core Definition: Gaston Velle

Gaston Velle (1868–1953) was a French silent film director and pioneer of special effects, who was prominent in early French and Italian cinema during the first two decades of the 20th century. Like his father, the Hungarian entertainer Joseph "Professor" Velle, Gaston began his career as a travelling magician, before putting his illusionist skills to work in cinema and ultimately creating more than fifty films between 1903 and 1911. He worked under Auguste and Louis Lumière, before serving as the head of production for the Italian film studio Cines. But he is best remembered for his work at Pathé, where he was hired to produce trick films that might rival those of his contemporary, Georges Méliès, including classic shorts like Burglars at Work (1904). Some films pioneered lasting techniques, such as his Les Invisibles (1906) – the first known invisible man film.

Velle also created some of the first féerie films, such as tit-for-tat (1906). Additionally, Velle collaborated with other directors such as Segundo de Chomon and Ferdinand Zecca to create such silent film classics as the Moon Lover (1905), the Raja's Casket (1906), and the Hen that Laid the Golden Egg (1905), the latter of which was featured in the 1997 Martin Scorsese film, Kundun.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Gaston Velle in the context of Magic (performance art)

Magic is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It encompasses the subgenres of close-up magic, parlor magic, and stage magic, among others. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.

Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as John Nevil Maskelyne and David Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic", a period in which performance magic became a staple of Broadway theatre, vaudeville, and music halls. Meanwhile, magicians such as Georges Méliès, Gaston Velle, Walter R. Booth, and Orson Welles introduced pioneering filmmaking techniques informed by their knowledge of magic.

↑ Return to Menu

Gaston Velle in the context of Otello (1906 film)

Otello is a 1906 Italian silent film based on the 1887 opera of the same name by Giuseppe Verdi, both being based on the William Shakespeare play Othello. The film was directed by and starred Mario Caserini, playing opposite his wife Maria Caserini. It is believed to be the earliest film adaptation of the play, released in Italy on 30 October 1906.

Gaston Velle is also credited as co-director.

↑ Return to Menu