Garden design in the context of Garden club

Landscape design is an independent profession and a design and art tradition, practiced by landscape designers, combining nature and culture. In contemporary practice, landscape design bridges the space between landscape architecture and garden design.

The term hard landscape is used by practitioners of landscape architecture and garden design to describe the construction materials which are used to improve a landscape by design. The corresponding term soft landscape materials is used to describe vegetative materials such as plants, grasses, shrubs, trees, etc. to improve landscape or outdoor space.

In landscape architecture and garden design, a water feature is one or more items from a range of fountains, jeux d'eau, pools, ponds, rills, artificial waterfalls, and streams. Before the 18th century they were usually powered by gravity, though the famous Hanging Gardens of Babylon are described by Strabo as supplied by an Archimedean screw and other examples were supplied with water using hydraulic rams.

Ancient water features were powered using gravitational forces, human power or animals to pump in the water. Since the 18th century, the majority of water features have been powered by pumps. In the past, the power source was sometimes a steam engine, but in modern features it is almost always powered by electricity. There is an increasing range of innovative designs as the market becomes more established and people become more aware of alternate installation methods, such as solar power. The advantages of using solar power include environmental benefits, no electrical lines in the garden, and free energy.

Chinoiserie (English: /ʃɪnˈwɑːzəri/, French: [ʃinwazʁi] ; loanword from French chinoiserie, from chinois, "Chinese"; traditional Chinese: 中國風; simplified Chinese: 中国风; pinyin: Zhōngguófēng; lit. 'China style') is the European interpretation and imitation of Chinese and other Sinosphere artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of chinoiserie has been expressed in different ways depending on the region. It is related to the broader current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical, and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China (during the High Qing era) and the rest of East Asia.

As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focuses on subjects that were thought by Europeans to be typical of Chinese culture.

Harold Ainsworth Peto FRIBA (11 July 1854 – 16 April 1933) was a British architect, landscape architect and garden designer, who worked in Britain and in Provence, France. Among his best-known gardens are Iford Manor, Wiltshire; Buscot Park, Oxfordshire; West Dean House, Sussex; and Ilnacullin, County Cork, Ireland.

Xeriscaping is the process of landscaping, or gardening, that reduces or eliminates the need for irrigation. It is promoted in regions that do not have accessible, plentiful, or reliable supplies of fresh water and has gained acceptance in other regions as access to irrigation water has become limited, though it is not limited to such climates. Xeriscaping may be an alternative to various types of traditional gardening.

In some areas, terms such as water-conserving landscaping, drought-tolerant landscaping, and smart scaping are used instead. The use of plants whose natural requirements are appropriate to the local climate is emphasized, and care is taken to avoid losing water to evaporation and runoff. However, the specific plants used in xeriscaping vary based on climate as this strategy can be used in xeric, mesic, and hydric environments. Xeriscaping is different from natural landscaping, because the emphasis in xeriscaping is on selection of plants for water conservation, not necessarily selecting native plants.

The term soft landscape is used by gardeners and practitioners of landscape design, landscape architecture, and garden design to describe the vegetative materials which are used to improve a landscape by design. The corresponding term hard landscape is used to describe construction materials. The range of soft landscape materials includes each layer of the ecological sequence: aquatic plants, semi-aquatic plants, field layer plants (including grasses and herbaceous plants), shrubs, and trees. Soft landscaping can increase biodiversity in urban areas.

The traditional kitchen garden, vegetable garden, also known as a potager (from the French jardin potager) or in Scotland a kailyaird, is a space separate from the rest of the residential garden – the ornamental plants and lawn areas. It is used for growing edible plants and often some medicinal plants, especially historically. The plants are grown for domestic use; though some seasonal surpluses are given away or sold, a commercial operation growing a variety of vegetables is more commonly termed a market garden (or a farm). The kitchen garden is different not only in its history, but also its functional design. It differs from an allotment in that a kitchen garden is on private land attached or very close to the dwelling. It is regarded as essential that the kitchen garden could be quickly accessed by the cook.

Historically, most small country gardens were probably mainly or entirely used as kitchen gardens, but in large country houses the kitchen garden was a segregated area, normally rectangular and enclosed by a wall or hedge, walls being useful for training fruit trees as well as offering shelter from wind. Such large examples very often included greenhouses and furnace-heated hothouses for more tender delicacies, and also flowers for display in the house; an orangery was the ultimate type. In large houses, the kitchen garden was typically placed diagonally to the rear and side of the house, not impeding the views from the front and rear facades, but still quick to access. In some cases, hardy flowers for cutting were grown outside there, rather than in the flower garden. A large country house hardly expected to buy any vegetables, herbs or fruit, and the surplus was often distributed as presents; the walled example at Croome Court in England covers seven acres, and the gardens have a large "Temple Greenhouse", an orangery in the form of a Roman Temple.