Fuji (planchette writing) in the context of "The Secret of the Golden Flower"

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⭐ Core Definition: Fuji (planchette writing)

Fuji (Chinese: 扶乩; pinyin: fújī or 扶箕), often referred to as "planchette writing" or "spirit writing," is a religious practice in Chinese religions where messages from deities, ancestors, or spirits, are conveyed through a wooden or metal stylus guided by a medium or a group of participants. Fuji is a form of automatic writing that often uses a suspended sieve or tray called a planchette, which is filled with sand or incense ash where characters are written using a pen or stylus. The practice is documented as early as the Song dynasty, and serves as a method for connecting individuals or communities assembled at an altar with a particular deity. This practice aims to fulfill personal requests, promote healing, provide moral guidance on individual or societal matters, and, in some cases, assist in the pursuit of loftier spiritual goals.

During the fuji session, the deity communicates by descending into a medium's body and dictating responses—ranging from brief messages to extensive scriptures—using various writing utensils on paper, sand, or ashes. When inscribing on sand, attendants read the words aloud and transcribe them. Occasionally, the deity is said to directly manipulate the writing tool without requiring a human medium. The resulting messages are shared with individuals or the wider community. Distributing and printing these scriptures is an integral part of the practice, fostering merit and legitimacy for the community while reinforcing its connection to the deity. Spirit-writing often transcends affiliation with a single religious tradition, incorporating diverse ritual elements and divine figures.

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👉 Fuji (planchette writing) in the context of The Secret of the Golden Flower

The Secret of the Golden Flower (Chinese: 太乙金華宗旨; pinyin: Tàiyǐ Jīnhuá Zōngzhǐ) is a Chinese Taoist traditional medical textbook on neidan (inner alchemy) meditation, which also mixes Buddhist teachings with some Confucian thoughts. It was written by means of the spirit-writing (fuji) technique, through two groups, in 1688 and 1692. After publication of the translation by Richard Wilhelm, with commentary by Carl Gustav Jung, it became modernly popularized among Westerners as a Chinese "religious classic", and is read in psychological circles for analytical and transpersonal psychology considerations of Taoist meditations, although it received little attention in the East.

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Fuji (planchette writing) in the context of Automatic writing

Automatic writing, also called psychography, is a claimed psychic ability allowing a person to produce written words without consciously writing. Practitioners engage in automatic writing by holding a writing instrument and allowing alleged spirits to manipulate the practitioner's hand. The instrument may be a standard writing instrument, or it may be one specially designed for automatic writing, such as a planchette or a ouija board.

Religious and spiritual traditions have incorporated automatic writing, including Fuji in Chinese folk religion and the Enochian language associated with Enochian magic. In the modern era, it is associated with Spiritualism and the occult, with notable practitioners including W. B. Yeats and Arthur Conan Doyle. Claims associated with automatic writing are unfalsifiable, while some documented examples result from the ideomotor phenomenon.

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