Friedrich de la Motte Fouqué in the context of "Ondine (ballet)"

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👉 Friedrich de la Motte Fouqué in the context of Ondine (ballet)

Ondine is a ballet in three acts created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze. Ashton originally produced Ondine for the Royal Ballet in 1958, with Henze commissioned to produce the original score, published as Undine, which has since been restaged by other choreographers. The ballet was adapted from a novella titled Undine by Friedrich de la Motte Fouqué and it tells the tale of a water nymph who is the object of desire of a young prince named Palemon. The première of the ballet took place at the Royal Opera House, London, on 27 October 1958, with the composer as guest conductor. The first major revival of this Ashton/Henze production took place in 1988.

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Friedrich de la Motte Fouqué in the context of Gespensterbuch

The Gespensterbuch (literally 'Ghost Book' or 'Book of Spectres') is a collection of German ghost stories written by August Apel and Friedrich Laun and published in seven volumes between 1810 and 1817. Volumes five to seven were also published under the title Wunderbuch ('Book of Wonders'). The final volume was published after Apel's death, with stories by his friends Friedrich de la Motte Fouqué and Carl Borromäus von Miltitz. Laun, Fouqué, Miltitz, and Caroline de la Motte Fouqué followed up on the series by publishing another book of ghost stories Aus der Geisterwelt ('From the Spirit-World') (1818).

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Friedrich de la Motte Fouqué in the context of Undine (alchemy)

Undines (/ˈʌndnz, ənˈdnz/; also ondines) are a category of elemental beings associated with water, stemming from the alchemical writings of Paracelsus. Later writers developed the undine into a water nymph in its own right, and it continues to live in modern literature and art through such adaptations as Danish Hans Christian Andersen's 1837 "The Little Mermaid" and the 1811 novella Undine by Friedrich de la Motte Fouqué.

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