French formal garden in the context of "Landscape garden"

The English landscape garden, also called English landscape park or simply the English garden (French: Jardin à l'anglaise, Italian: Giardino all'inglese, German: Englischer Landschaftsgarten, Portuguese: Jardim inglês, Spanish: Jardín inglés), is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa, Claude Lorrain, and Nicolas Poussin, as well as from the classic Chinese gardens of the East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden.

The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins, bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on the English country house, and many examples in the United Kingdom are popular visitor attractions today.

French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of façades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.

The French landscape garden (French: jardin anglais, jardin à l'anglaise, jardin paysager, jardin pittoresque, jardin anglo-chinois) is a style of garden inspired by idealized romantic landscapes and the paintings of Hubert Robert, Claude Lorrain and Nicolas Poussin, European ideas about Chinese gardens, and the philosophy of Jean-Jacques Rousseau. The style originated in England as the English landscape garden in the early 18th century, and spread to France where, in the second half of the 18th century and early 19th century, it gradually replaced the rigidly clipped and geometrical French formal garden (jardin à la française).

The Gardens of Versailles (French: Jardins du château de Versailles [ʒaʁdɛ̃ dy ʃɑto d(ə) vɛʁsɑj]) occupy part of what was once the Domaine royal de Versailles, the royal demesne of the château of Versailles. Situated to the west of the palace, the gardens cover some 800 ha (2,000 acres) of land, much of which is landscaped in the classic French formal garden style perfected here by André Le Nôtre. Beyond the surrounding belt of woodland, the gardens are bordered by the urban areas of Versailles to the east and Le Chesnay to the north-east, by the National Arboretum de Chèvreloup to the north, the Versailles plain (a protected wildlife preserve) to the west, and by the Satory Forest to the south.

Administered by the Public Establishment of the Palace, Museum and National Estate of Versailles, an autonomous public entity operating under the aegis of the French Ministry of Culture, the gardens are now one of the most visited public sites in France, receiving more than six million visitors a year.

A monopteros (Ancient Greek: ὁ μονόπτερος, from: μόνος, 'only, single, alone', and τὸ πτερόν, 'wing'), also called a monopteron or cyclostyle, is a circular colonnade supporting a roof but without any walls. Unlike a tholos (in its wider sense as a circular building), it does not have walls making a cella or room inside. In Greek and especially Roman antiquity, the term could also be used for a tholos. In ancient times, monopteroi (Ancient Greek: οἱ μονόπτεροι) served among other things as a form of baldachin for a cult image. An example of this is the Monument of Lysicrates in Athens, albeit with the spaces between the columns being walled in, even in ancient times. The Temple of Roma and Augustus on the Athenian Acropolis is a monopteros from Roman times, with open spaces between the columns.

Monopteroi were popular garden features in English- and French-style gardens, often given classical names such as "muses' temple". Many wells in parks and spa centres are covered by a monopteros. Many monopteroi have staffage structures like a porticus placed in front of the monopteros. These also have only a decorative function, because they are not needed in order to provide an entrance to a temple that is open on all sides.

The Villa di Castello, near the hills bordering Florence, Tuscany, central Italy, was the country residence of Cosimo I de' Medici, Grand Duke of Tuscany (1519-1574). The gardens, filled with fountains, statuary, and a grotto, became famous throughout Europe. The villa also housed some of the great art treasures of Florence, including Sandro Botticelli's Renaissance masterpieces The Birth of Venus and Primavera. The gardens of the Villa had a profound influence upon the design of the Italian Renaissance garden and the later French formal garden.

The Royal Palace of La Granja de San Ildefonso (Spanish: Palacio Real de La Granja de San Ildefonso), known as La Granja, is an early 18th-century palace in the small town of San Ildefonso, located in the hills near Segovia and 80 kilometres (50 mi) north of Madrid, within the Province of Segovia in central Spain.

It became the summer residence of the kings of Spain from the 1720s during the reign of King Philip V. The palace is in a restrained Baroque style, surrounded by extensive gardens in the formal Jardin à la française style with sculptural fountains. It is now open to the public as a museum.