French art in the context of "School of Paris"

The Musée d'Orsay (UK: /ˌmjuːzeɪ dɔːrˈseɪ/ MEW-zay dor-SAY, US: /mjuːˈzeɪ -/ mew-ZAY -⁠, French: [myze dɔʁsɛ]; English: Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built from 1898 to 1900. The museum holds mainly French art (including works by France based foreign artists) dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.

In 2022 the museum had 3.2 million visitors, up from 1.4 million in 2021. It was the sixth-most-visited art museum in the world in 2022, and second-most-visited art museum in France, after the Louvre.

The National Museum in Warsaw (Polish: Muzeum Narodowe w Warszawie, MNW) is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art (Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting (Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects.

The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplemented by selected works created in other regions of Europe.

Philippe de Champaigne (French pronunciation: [filip də ʃɑ̃paɲ]; 26 May 1602 – 12 August 1674) was a Brabant-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie royale de peinture et de sculpture in Paris, the premier art institution in the Kingdom of France during the Ancien Régime.

Abraham Bosse (c. 1604 – 14 February 1676) was a French artist, mainly as a printmaker in etching, but also in watercolour.

Colin Barry Bailey OAL is a British art historian and museum director. Bailey is currently the Director of the Morgan Library & Museum in New York City. He is a scholar of eighteenth- and nineteenth-century French art, specifically on the artist Pierre-Auguste Renoir.

Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.

In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and art.

François Henri Mulard (1769–1850) was a neoclassical French painter. He is known for painting the encounter of Persian envoy Mirza Mohammad-Reza Qazvini with Napoleon at the Finckenstein Palace on 27 April 1807.