Roman art in the context of "National Museum, Warsaw"

Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans, and is a form of Roman folklore. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and shares mythemes with Proto-Indo-European mythology.

The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to their responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony.

The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.

The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-Classicism and to be reborn in Post-Modernism.

Venus (/ˈviːnəs/; Classical Latin: [ˈwɛnʊs]) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles.

The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. As such, she is usually depicted nude.

In ancient Roman religion and mythology, Mars (Latin: Mārs, pronounced [maːrs]) is the god of war and also an agricultural guardian, a combination characteristic of early Rome. He is the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him (Latin Martius), and in October, the months which traditionally began and ended the season for both military campaigning and farming.

Under the influence of Greek culture, Mars was identified with the Greek god Ares, whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differs in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-loving semi-legendary second king of Rome; in Republican times it was a focus of electoral activities. Augustus shifted the focus of Mars's cult to within the pomerium (Rome's ritual boundary), and built a temple to Mars Ultor as a key religious feature of his new forum.

The Staatliche Antikensammlungen (German: [ˈʃtaːtlɪçə anˈtiːkənˌzamlʊŋən], State Collections of Antiquities) is a museum in Munich's Kunstareal holding Bavaria's collections of antiquities from Greece, Etruria and Rome, though the sculpture collection is located in the Glyptothek opposite, and works created in Bavaria are on display in a separate museum. Ancient Egypt also has its own museum.

In Greek mythology, an Amazonomachy (English translation: "Amazon battle"; plural, Amazonomachiai (Ancient Greek: Ἀμαζονομαχίαι) or Amazonomachies) is a mythological battle between the ancient Greeks and the Amazons, a nation of all-female warriors. The subject of Amazonomachies was popular in ancient Greek art and Roman art.

Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including Laocoön and His Sons, Dying Gaul, Venus de Milo, and the Winged Victory of Samothrace. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends.

The term Hellenistic refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aegean Sea, rather than the Classical Greece focused on the Poleis of Athens and Sparta, but also a huge time range. In artistic terms this means that there is huge variety which is often put under the heading of "Hellenistic Art" for convenience.

Cleopatra VII, the last ruler of the Ptolemaic Kingdom of Egypt, died on either 10 or 12 August, 30 BC, in Alexandria, when she was 39 years old. According to popular belief, Cleopatra killed herself by allowing an asp (Egyptian cobra) to bite her, but according to the Roman-era writers Strabo, Plutarch, and Cassius Dio, Cleopatra poisoned herself using either a toxic ointment or by introducing the poison with a sharp implement such as a hairpin. Modern scholars debate the validity of ancient reports involving snakebites as the cause of death and whether she was murdered. Some academics hypothesize that her Roman political rival Augustus (Octavian) forced her to kill herself in a manner of her choosing. The location of Cleopatra's tomb is unknown. It was recorded that Octavian allowed for her and her husband, the Roman politician and general Mark Antony, who stabbed himself with a sword, to be buried together properly.

Cleopatra's death effectively ended the final war of the Roman Republic between the remaining triumvirs Octavian and Antony, in which Cleopatra aligned herself with Antony, father to three of her children. Antony and Cleopatra fled to Egypt following their loss at the 31 BC Battle of Actium in Roman Greece, after which Octavian invaded Egypt and defeated their forces. Committing suicide allowed her to avoid the humiliation of being paraded as a prisoner in a Roman triumph celebrating the military victories of Octavian, who would become Rome's first emperor in 27 BC and be known as Augustus. Octavian, rival heir of Julius Caesar had Cleopatra's son Caesarion (also known as Ptolemy XV) killed in Egypt but spared her children with Antony and brought them to Rome. Cleopatra's death marked the end of the Hellenistic period and Ptolemaic rule of Egypt, as well as the beginning of Roman Egypt, which became a province of the Roman Empire.