Fredmans epistlar in the context of "Carl Michael Bellman"

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👉 Fredmans epistlar in the context of Carl Michael Bellman

Carl Michael Bellman (Swedish pronunciation: [ˈkɑːɭ ˈmßːkaɛl ˈbɛ̌lːman] ; 4 February 1740 – 11 February 1795) was a Swedish songwriter, composer, musician, poet, and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique.

Bellman is best known for two collections of poems set to music, Fredman's epistles (Fredmans epistlar) and Fredman's songs (Fredmans sÄnger). Each consists of about 70 songs. The general theme is drinking, but the songs "most ingeniously" combine words and music to express feelings and moods ranging from humorous to elegiac, romantic to satirical.

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Fredmans epistlar in the context of Liksom en Herdinna, högtids klÀdd

Liksom en Herdinna, högtids klÀdd ("Like a Shepherdess, festively dressed"), is a song by the Swedish poet and performer Carl Michael Bellman from his 1790 collection, Fredman's Epistles, where it is No. 80. The Epistle is subtitled "AngÄende Ulla Winblads Lustresa til Första Torpet, utom Kattrumps Tullen" (Concerning Ulla Winblad's pleasure-trip to Första Torpet, outside Kattrump Tollgate). It is a pastorale, starting with a near-paraphrase of Nicolas Boileau-Despréaux's French guide to the construction of pastoral verse. That doesn't prevent the supposed shepherd and shepherdess from falling into bed drunk at the end of the song. It has been described as lovelier in Swedish than in Boileau's original French. The epistle's humorous depiction of the human condition has been praised by critics.

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