François-Joseph Fétis in the context of "Brussels Conservatory"

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⭐ Core Definition: François-Joseph Fétis

François-Joseph Fétis (French: [fetis]; 25 March 1784 – 26 March 1871) was a Belgian musicologist, critic, teacher and composer. He was among the most influential music intellectuals in continental Europe. His enormous compilation of biographical data in the Biographie universelle des musiciens remains an important source of information today.

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👉 François-Joseph Fétis in the context of Brussels Conservatory

The Royal Conservatory of Brussels (French: Conservatoire royal de Bruxelles, Dutch: Koninklijk Conservatorium Brussel) is a historic conservatory in Brussels, Belgium. Starting its activities in 1813, it received its official name in 1832. Providing performing music and drama courses, the institution became renowned partly because of the international reputation of its successive directors such as François-Joseph Fétis, François-Auguste Gevaert, Edgar Tinel, Joseph Jongen and Marcel Poot, but more because it has been attended by many of the top musicians, actors and artists in Belgium such as Arthur Grumiaux, José Van Dam, Sigiswald Kuijken, Josse De Pauw, Luk van Mello and Luk De Konink. Adolphe Sax, inventor of the saxophone, also studied at the Brussels Conservatory.

In 1967, the institution split into two separate entities: the Koninklijk Conservatorium Brussel, which teaches in Dutch, and the Conservatoire royal de Bruxelles, which continued teaching in French. While the French-speaking entity remained an independent public institution of higher education (École supérieure des arts), the Flemish entity integrated into the newly created Erasmus University College as one of its Schools of Arts.

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François-Joseph Fétis in the context of L'Africaine

L'Africaine (The African Woman) is an 1837 five-act French grand opéra by Giacomo Meyerbeer, with a libretto by Eugène Scribe. By 1852, the plot had been revised to depict fictional events in the life of Portuguese explorer Vasco da Gama, adopting his Gallicized name as its working title, Vasco de Gama. The full score was copied the day before Meyerbeer died in 1864.

François-Joseph Fétis's published edition, L'Africaine, premiered in 1865 at the Paris Opéra and was long performed. Since 2013, some productions and recordings have applied revisions, including the title Vasco de Gama, based on Meyerbeer's manuscript, from which Casa Ricordi published a critical edition in 2018.

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