Fortuna in the context of "Felicitas"

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⭐ Core Definition: Fortuna

Fortuna (Latin: Fortūna, equivalent to the Greek goddess Tyche), historically anglicized as Fortune, is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy fortuna / sfortuna (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La [dea] fortuna è cieca" (Latin Fortuna caeca est; "Luck [goddess] is blind").

Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She was also a goddess of fate: as Atrox Fortuna, she claimed the young lives of the princeps Augustus' grandsons Gaius and Lucius, prospective heirs to the Empire. (In antiquity she was also known as Automatia.)

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👉 Fortuna in the context of Felicitas

In ancient Roman culture, felicitas (from the Latin adjective felix, "fruitful, blessed, happy, lucky") is a condition of divinely inspired productivity, blessedness, or happiness. Felicitas could encompass both a woman's fertility and a general's luck or good fortune. The divine personification of Felicitas was cultivated as a Roman goddess, wherein she is a goddess not just of good fortune but also happiness, wealth and success. Although felicitas may be translated as "good luck," and the goddess Felicitas shares some characteristics and attributes with Fortuna, the two were distinguished in Roman religion. Fortuna was unpredictable and her effects could be negative, as the existence of an altar to Mala Fortuna ("Bad Luck") acknowledges. Felicitas, however, always had a positive significance. She appears with several epithets that focus on aspects of her divine power.

Felicitas had a temple in Rome as early as the mid-2nd century BC, and during the Republican era was honored at two official festivals of Roman state religion, on July 1 in conjunction with Juno and October 9 as Fausta Felicitas. Felicitas continued to play an important role in Imperial cult, and was frequently portrayed on coins as a symbol of the wealth and prosperity of the Roman Empire. Her primary attributes are the caduceus and cornucopia. The English word "felicity" derives from felicitas.

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Fortuna in the context of Cornucopia

In classical antiquity, the cornucopia (/ˌkɔːrn(j)əˈkpiə, -n(j)-/ ; from Latin cornu 'horn' and copia 'abundance'), also called the horn of plenty, is a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts. In Greek, it was called the "horn of Amalthea" (Ancient Greek: κέρας Ἀμαλθείας, romanizedkéras Amaltheías), after Amalthea, a nurse of Zeus, who is often part of stories of the horn's origin.

Baskets or panniers of this form were traditionally used in western Asia and Europe to hold and carry newly harvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking.

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Fortuna in the context of Patera

In the material culture of classical antiquity, a patera (Latin pronunciation: [ˈpatɛra]) or phiale (Ancient Greek: φιάλη [pʰi.á.lɛː]) is a shallow ceramic or metal libation bowl. It often has a bulbous indentation (omphalos, "belly button") in the center underside to facilitate holding it, in which case it is sometimes called a mesomphalic phiale. It typically has no handles, and no feet.

Although the two terms may be used interchangeably, particularly in the context of Etruscan culture, phiale is more common in reference to Greek forms, and patera in Roman settings. The form should be distinguished from a drinking cup with handles, and often a stem, of which the most common type is called a kylix, and a circular platter with a pair of C-handles is not a patera, though a few paterae have single long straight handles (see trulla below).

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Fortuna in the context of Tyche

Tyche (/ˈtki/; Ancient Greek: Τύχη Túkhē, 'Luck', Ancient Greek: [tý.kʰɛː], Modern Greek: [ˈti.çi]; Roman equivalent: Fortuna) was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is the daughter of the Titans Tethys and Oceanus, and she brings positive messages to people relating to external events outside their control.

During the Hellenistic period, with dramatic socio-political changes starting with Alexander the Great, Tyche increasingly embodied the whims of fate (both negative and positive), eclipsing the role of the Olympic gods. The Greek historian Polybius believed that when no cause can be discovered to events such as floods, droughts, frosts, or even in politics, then the cause of these events may be fairly attributed to Tyche. Other ancient Greek sources corroborate Polybius, such as Pindar who claims Tyche could hand victory to a lesser athlete. This "Hellenistic Tyche" is often featured on coins such as those minted by Demetrius I Soter. Further, Tyche comes to represent not only personal fate, but the fate of communities. Cities venerated their own Tychai, specific iconic versions of the original Tyche. This practice was continued in the iconography of Roman art, even into the Christian period, often as sets of the greatest cities of the empire.

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Fortuna in the context of Porta Collina

41°54′26.42″N 12°29′55.37″E / 41.9073389°N 12.4987139°E / 41.9073389; 12.4987139

The Colline Gate (Latin Porta Collina) was a landmark in ancient Rome, supposed to have been built by Servius Tullius, semi-legendary king of Rome 578–535 BC. The gate stood at the north end of the Servian Wall, and past it were two important streets, the Via Salaria and Via Nomentana. Within this area the Alta Semita linked the Quirinal with the Porta Carmentalis. Several temples were located near the gate, including temples of Venus Erycina and Fortuna. To a person facing the gate in the 4th century AD, the Gardens of Sallust would have been on the left, with the Baths of Diocletian on the right.

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