Fluting (architecture) in the context of Arris

The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above.

The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric temples. In stone they are purely ornamental.

The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century Etymologiae and refined during the Italian Renaissance.

Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of Regole generali di architettura sopra le cinque maniere de gli edifici (1537). Though Fra Giocondo had attempted a first illustration of a Tuscan capital in his printed edition of Vitruvius (1511), he showed the capital with an egg and dart enrichment that belonged to the Ionic. The "most rustic" Tuscan order of Serlio was later carefully delineated by Andrea Palladio.

The Qutb Minar, also spelled Qutub Minar and Qutab Minar, is a minaret and victory tower, built during the Delhi sultanate, and comprising the Qutb complex, a UNESCO World Heritage Site in Mehrauli, South Delhi, India. It was mostly built between 1199 and 1220, contains 399 steps, and is one of the most-frequented heritage spots in the city. After defeating Prithviraj Chauhan, the last Hindu ruler of Delhi before the Ghurid conquest of the region, Qutab-ud-din Aibak initiated the construction of the victory tower, but only managed to finish the first level. It was to mark the beginning of Islamic rule in the region. Successive dynasties of the Delhi Sultanate continued the construction, and, in 1368, Firuz Shah Tughlaq rebuilt the top parts and added a cupola.

It can be compared to the 62-metre all-brick Minaret of Jam in Afghanistan, of c. 1190, which was constructed a decade or so before the probable start of the Delhi tower. The surfaces of both are elaborately decorated with inscriptions and geometric patterns. The Qutb Minar has a shaft that is fluted with "superb stalactite bracketing under the balconies" at the top of each stage. In general, minarets were slow to be used in India and are often detached from the main mosque where they exist.

The so-called Temple of Vesta is a small circular Roman temple (so a tholos) in Tivoli, Italy, dating to the early 1st century BC. Its ruins are dramatically sited on the acropolis of the Etruscan and Roman city, overlooking the falls of the Aniene and a picturesque narrow gully.

The temple's capitals have been much admired and imitated and their variation of the Corinthian order sometimes called the "Tivoli order". They have two rows of acanthus leaves, and its abacus is decorated with oversize fleurons in the form of hibiscus flowers (probably intended to be Hibiscus syriacus) with pronounced spiral pistils. The column flutes have flat tops. The frieze exhibits fruit swags suspended between bucrania. Above each swag is a rosette. The cornice does not have modillions.

Bedford–Stuyvesant (/ˌbɛdfərd ˈstaɪvəsənt/ BED-fərd STY-və-sənt), colloquially known as Bed–Stuy, is a neighborhood in the northern section of the New York City borough of Brooklyn. Bedford–Stuyvesant is bordered by Flushing Avenue to the north (bordering Williamsburg), Classon Avenue to the west (bordering Clinton Hill), Broadway to the east (bordering Bushwick and East New York), and Atlantic Avenue to the south (bordering Crown Heights and Brownsville). The main shopping street, Fulton Street, runs east–west the length of the neighborhood and intersects high-traffic north–south streets including Bedford Avenue, Nostrand Avenue, and Stuyvesant Avenue. Bedford–Stuyvesant contains four smaller neighborhoods: Bedford, Stuyvesant Heights, Ocean Hill, and Weeksville (also part of Crown Heights). Part of Clinton Hill was once considered part of Bedford–Stuyvesant.

Bedford–Stuyvesant has the largest collection of intact and largely untouched Victorian architecture in the United States, with roughly 8,800 buildings built before 1900. Its building stock includes many historic brownstones, developed for the expanding upper-middle class from the 1890s to the late 1910s. They contain highly ornamental detailing throughout their interiors and have classical architectural elements, such as brackets, quoins, fluting, finials, and elaborate frieze and cornice banding.