Flood myth in the context of "Enlil"

Christian mythology is the body of myths associated with Christianity. The term encompasses a broad variety of legends and narratives, especially those considered sacred narratives. Mythological themes and elements occur throughout Christian literature, including recurring myths such as ascending a mountain, the axis mundi, myths of combat, descent into the Underworld, accounts of a dying-and-rising god, a flood myth, stories about the founding of a tribe or city, and myths about great heroes (or saints) of the past, paradises, and self-sacrifice.

Various authors have also used it to refer to other mythological and allegorical elements found in the Bible, such as the story of the Leviathan. The term has been applied to myths and legends from the Middle Ages, such as the story of Saint George and the Dragon, the stories of King Arthur and his Knights of the Round Table, and the legends of the Parsival. Multiple commentators have classified John Milton's epic poem Paradise Lost as a work of Christian mythology. The term has also been applied to modern stories revolving around Christian themes and motifs, such as the writings of C. S. Lewis, J. R. R. Tolkien, Madeleine L'Engle, and George MacDonald.

Noah's Ark (Hebrew: תיבת נח; Biblical Hebrew: Tevat Noaḥ) is the boat in the Genesis flood narrative through which God spares Noah, his family, and one pair of every animal species in the world from a global deluge.

The story in Genesis is based on earlier Mesopotamian flood myths. The myth of the global flood that destroys all life begins to appear in the Old Babylonian Empire period (20th–16th centuries BCE). The version closest to the biblical story of Noah, as well as its most likely source, is that of Utnapishtim in the Epic of Gilgamesh. Scholars note shared themes, dimensions, and language but different causes for the flood. Scholars also link its structure to the Jewish Temple.

The Genesis flood narrative (chapters 6–9 of the Book of Genesis) is a Hebrew flood myth. It tells of God's decision to return the universe to its pre-creation state of watery chaos and remake it through the microcosm of Noah's Ark.

The Book of Genesis was probably composed around the 5th century BCE; although some scholars believe that primeval history (chapters 1–11), including the flood narrative, may have been composed and added as late as the 3rd century BCE. It draws on two sources, called the Priestly source and the non-Priestly or Yahwist, and although many of its details are contradictory, the story forms a unified whole.

Flood geology (also creation geology or diluvial geology) is a pseudoscientific attempt to interpret and reconcile geological features of the Earth in accordance with a literal belief in the Genesis flood narrative, the flood myth in the Hebrew Bible. In the early 19th century, diluvial geologists hypothesized that specific surface features provided evidence of a worldwide flood which had followed earlier geological eras; after further investigation they agreed that these features resulted from local floods or from glaciers. In the 20th century, young-Earth creationists revived flood geology as an overarching concept in their opposition to evolution, assuming a recent six-day Creation and cataclysmic geological changes during the biblical flood, and incorporating creationist explanations of the sequences of rock strata.

In the early stages of development of the science of geology, fossils were interpreted as evidence of past flooding. The "theories of the Earth" of the 17th century proposed mechanisms based on natural laws, within a timescale set by the Ussher chronology. As modern geology developed, geologists found evidence of an ancient Earth and evidence inconsistent with the notion that the Earth had developed in a series of cataclysms, like the Genesis flood. In early 19th-century Britain, "diluvialism" attributed landforms and surface features (such as beds of gravel and erratic boulders) to the destructive effects of this supposed global deluge, but by 1830 geologists increasingly found that the evidence supported only relatively local floods. So-called scriptural geologists attempted to give primacy to literal biblical explanations, but they lacked a background in geology and were marginalised by the scientific community, as well as having little influence in the churches.

King of the Universe is a royal title that claims complete cosmological domination. As a historical title, King of the Universe was used intermittently by powerful monarchs in ancient Mesopotamia as a title of great prestige. Equivalent titles were sometimes later used in the Greco-Roman world as honorifics for powerful rulers. The title was also applied to various deities in ancient Mesopotamian, Greek, and Roman literature. As a religious title and honorific, King of the Universe has seen continued use as a title of God and certain other figures in the Abrahamic tradition.

The etymology of the Mesopotamian title, šar kiššatim, derives from the ancient Sumerian city of Kish. In ancient Sumer, Kish was seen as having primacy over other Mesopotamian cities and was in Sumerian legend the location where the kingship was lowered to from heaven after the legendary flood. The first ruler to use the title was Sargon of Akkad (r. c. 2334–2279 BC). The title continued to be used in a succession of later empires claiming symbolical descent from Sargon's Akkadian Empire. The last known ruler to assume the Mesopotamian title was the Seleucid king Antiochus I Soter (r. 281–261 BC).

In Greek mythology, Deucalion (/djuːˈkeɪliən/; Ancient Greek: Δευκαλίων) was the son of Prometheus; ancient sources name his mother as Clymene, Hesione, or Pronoia. He is closely connected with a flood myth in Greek mythology.

Atra-Hasis (Akkadian: 𒀜𒊏𒄩𒋀, romanized: Atra-ḫasīs) is an 18th-century BC Akkadian epic, recorded in various versions on clay tablets and named for one of its protagonists, the priest Atra-Hasis ('exceedingly wise'). The narrative has four focal points: An organisation of allied gods shaping Mesopotamia agriculturally; a political conflict between them, pacified by creating the first human couples; the mass reproduction of these humans; and a great deluge, as handed down in a remarkably similar manner in various other flood myths of mankind. Numerous archaeological discoveries suggest the occurrence of a real historicaly catastrophe in the background, closely timed with the relatively sudden rise in sea levels at the end of the last Ice Age. As several later myths – "even those where real floods are unlikely to have ocourrent" – also the epic links its flood story with the intention of the upper gods to eliminate their "imperfect" artificial creatures.

The name "Atra-Hasis" first appears on the Sumerinan King List as a ruler of Shuruppak in the times before that flood. The oldest known copy of the epic tradition concerning Atrahasis can be dated by colophon (scribal identification) to the reign of Hammurabi’s great-grandson, Ammi-Saduqa (1646–1626 BC). However, various Old Babylonian dialect fragments exist, and the epic continued to be copied into the first millennium BC.

Eridu Genesis, also called the Sumerian Creation Myth or Sumerian Flood Myth, offers a description of the story surrounding how humanity was created by the gods, the circumstances leading to the origins of the first cities in Mesopotamia, how the office of kingship entered this probably neolithical civilisation, and the global flood.

Other Sumerian creation myths include the Barton Cylinder, the Debate between sheep and grain, and that between Winter and Summer, also found at Nippur. Similar flood myths are described in the Atra-Hasis and Gilgamesh epics, where the former deals with the internal conflict of an organisation of Sumerian gods, which they try to pacify by creating the first couples of humans as labour slaves – followed by a mass reproduction of these creatures and a great flood triggered by Enlil (master of the universe). The narrative of biblical Genesis shows some striking parallels (however, excluding all references to a civilisation before Adam and Eve's creation), so that scientific research has long assumed prehistoric influences on the emergence of Mosaic religion.