Flamboyant in the context of "Sens Cathedral"

The Grand-Place (French, pronounced [ɡʁɑ̃ plas]; "Grand Square"; also used in English) or Grote Markt (Dutch, pronounced [ˌɣroːtə ˈmɑr(ə)kt] ; "Big Market") is the central square of Brussels, Belgium. It is surrounded by opulent Baroque guildhalls of the former Guilds of Brussels and two larger edifices; the city's Flamboyant Town Hall, and the neo-Gothic King's House or Bread House building, containing the Brussels City Museum. The square measures 68 by 110 metres (223 by 361 ft) and is entirely paved.

The Grand-Place's construction began in the 11th century and was largely complete by the 17th. In 1695, during the Nine Years' War, most of the square was destroyed during the bombardment of Brussels by French troops. Only the Town Hall's façade and tower, which served as a target for the artillery, as well as some stone walls, resisted the incendiary balls. The houses that surrounded the Grand-Place were rebuilt during subsequent years, giving the square its current appearance, though they were frequently modified in the following centuries. From the mid-19th century, the square's heritage value was rediscovered, and it was thoroughly renovated.

Chartres Cathedral (French: Cathédrale Notre-Dame de Chartres, lit. Cathedral of Our Lady of Chartres) is a Catholic cathedral in Chartres, France, about 80 km (50 miles) southwest of Paris, and is the seat of the Bishop of Chartres. Dedicated in honour of the Virgin Mary ('Our Lady'), it was mostly constructed between 1194 and 1220. It stands on the site of at least five cathedrals that have occupied the site since the Diocese of Chartres was formed as an episcopal see in the 4th century. It is one of the best-known and most influential examples of High Gothic and Classic Gothic architecture. It was built above earlier Romanesque basements, while its north spire is more recent (1507–1513) and is built in the more ornate Flamboyant style.

"[O]ne of the most beautiful and historically significant cathedrals in all of Europe," it was designated a World Heritage Site by UNESCO in 1979, which called it "the high point of French Gothic art" and a "masterpiece".

Plateresque, meaning "in the manner of a silversmith" (plata being silver in Spanish), was an artistic movement, especially architectural, developed in Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant, Gothic, and Lombard decorative components, as well as Renaissance elements of Tuscan origin.

Examples of this syncretism are the inclusion of shields and pinnacles on façades, columns built in the Renaissance neoclassical manner, and façades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor, especially in Salamanca, but also flourished in other such cities of the Iberian Peninsula as León, Burgos, Santiago de Compostela, also in the territory of New Spain, which is now Mexico, and in Bogotá.

The Cathedral of Saint Mary of Burgos (Spanish: Catedral de Burgos) is a Catholic church dedicated to the Virgin Mary located in the historical center of the Spanish city of Burgos. Its official name is the Holy Metropolitan Cathedral Basilica Church of St Mary of Burgos (Spanish: Santa Iglesia Catedral Basílica Metropolitana de Santa María de Burgos).

Its construction began in 1221, in the style of French Gothic architecture and is based on a Latin cross. After a hiatus of almost 200 years, it went through major embellishments of great splendor in the 15th and 16th centuries: the spires of the main facade, the capilla del Condestable, 'Chapel of the Constable' and dome of the transept. These are elements of the flamboyant Gothic which gives the cathedral its unmistakable profile. The last works of importance (the Sacristy or the Chapel of Saint Thecla) were performed in the 18th century, during which the Gothic portals of the main facade were also modified. The style of the cathedral is the Gothic, although it has several decorative Renaissance and Baroque elements as well. The construction and renovations were made with limestone extracted from the quarries of the nearby town of Hontoria de la Cantera.

The Cathedral of Our Lady of the Assumption and of Saint Fructus is a Roman Catholic cathedral located in the Spanish city of Segovia. The church is dedicated to the Assumption of the Virgin Mary and to Saint Fructus and is the seat of the Diocese of Segovia. It was built in the Flamboyant style, and was dedicated in 1768, constituting one of the latest Gothic cathedrals in Europe.

48°51′07.34″N 2°20′44.42″E / 48.8520389°N 2.3456722°E / 48.8520389; 2.3456722

The Church of Saint-Séverin (French: Église Saint-Séverin, pronounced [eɡliz sɛ̃ sevʁɛ̃]) is a Catholic church in the 5th arrondissement, or Latin Quarter, of Paris, on the lively tourist street Rue Saint-Séverin. It was constructed beginning in 1230, then, after a fire, rebuilt and enlarged in the 15th to 17th centuries in the Flamboyant Gothic style. It was the parish church for students at the University of Paris, and is one of the oldest churches that remains standing on the Left Bank.

The Manueline (Portuguese: estilo manuelino, IPA: [ɨʃˈtilu mɐnweˈlinu]), occasionally known as Portuguese late Gothic, is the sumptuous, composite Portuguese architectural style originating in the 16th century, during the Portuguese Renaissance and Age of Discoveries. Manueline architecture incorporates maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral. This innovative style synthesizes aspects of Late Gothic Flamboyant architecture with original motifs and influences of the Plateresque, Mudéjar, Italian, and Flemish architecture. It marks the transition from Late Gothic to Renaissance. The construction of churches and monasteries in Manueline was largely financed by proceeds of the lucrative spice trade with Africa and India.

The style was given its name, many years later, by Francisco Adolfo de Varnhagen, Viscount of Porto Seguro, in his 1842 book Noticia historica e descriptiva do Mosteiro de Belem, com um glossario de varios termos respectivos principalmente a architectura gothica, in his description of the Jerónimos Monastery. Varnhagen named the style after King Manuel I, whose reign (1495–1521) coincided with its development. The style was much influenced by the astonishing successes of the voyages of discovery of Portuguese navigators, from the coastal areas of Africa to the discovery of Brazil and the ocean routes to the Far East.

The Château de Langeais is a 15th-century Flamboyant Gothic castle in Indre-et-Loire, France, built on a promontory created by the small valley of the Roumer River at the opening to the Loire Valley. Founded in 992 by Fulk Nerra, Count of Anjou, the castle was soon attacked by Odo I, Count of Blois. After the unsuccessful attack, the now-ruined stone keep was built; it is one of the earliest datable stone examples of a keep. Between 994 and 996, the castle was besieged unsuccessfully twice more. During the conflict between the counts of Anjou and Blois, the castle changed hands several times, and in 1038 Fulk captured the castle again.

After it was destroyed during the Hundred Years' War, King Louis XI (1461–1483) rebuilt Château de Langeais into what today is one of the best-known examples of late medieval architecture. It is especially noted for its monumental and highly decorated chimneypieces. Restored in the late 19th century, Château de Langeais came under the control of the Institut de France, who owns the site today. It is listed as a monument historique by the French Ministry of Culture and is open to the public.