Finial in the context of Spire

Gothic Revival (also referred to as Victorian Gothic or Neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.

For some in England, the Gothic Revival movement had roots that were intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in the third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.

A tekoteko is a Māori carved human figure that is mounted as a finial, usually above the gable of a Māori building, most commonly a wharenui (meeting house) or a pātaka (food storehouse). It usually stands above the koruru, a carved head mounted where the bargeboards meet at the apex of the gable. The tekoteko is carved as the embodiment of the one who takes a tree as material for their house and owns said house, as all things in the environment were believed as related to mankind from the union of Ranginui and Papatūānuku.

The word tekoteko has also been used of freestanding carvings of human figures.

Shikhara (Sanskrit: शिखर, IAST: Śikhara), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A shikhara over the garbhagriha chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India.

In South India, the equivalent term is vimana; unlike the shikhara, this refers to the whole building, including the sanctum beneath. In the south, shikhara is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern vimana is not to be confused with the elaborate gateway-towers of south Indian temples, called gopuram, which are often taller and more prominent features in large temples.

Ancient furniture was made from many different materials, including reeds, wood, stone, metals, straws, and ivory. The furniture was decorated through processes like upholstery, inlaying, and through the use of finials.

It was common for ancient furniture to have religious or symbolic purposes. The Incans had chacmools which were dedicated to sacrifice. Similarly, in Dilmun they had sacrificial altars. In many civilizations, certain types of furniture were reserved for upper-class citizens. Stools and thrones made for nobility in Ancient Egypt were made of fine imported wood, occasionally animal bone, and were painted, gilded, and inlaid with metals. In Mesopotamia, tables were decorated with expensive metals, chairs would be padded with felt, rushes, and upholstery. Some chairs had metal inlays.

A gopuram or gopura (Kannada: ಗೋಪುರ, Malayalam: ഗോപുരം, Tamil: கோபுரம், Telugu: గోపురం) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the southern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple.

Ancient and early medieval temples feature smaller gopuram, while in later temples they are a prominent feature of Hindu Dravidian style; in many cases the temple compound was expanded and new larger gopuram built along the new boundary. They are topped by the kalasam, a bulbous stone finial. They function as gateways through the walls that surround the temple complex. Another towering structure located towards the center of the temple is the Vimanam. Both of them are designed and constructed as per rules given in the texts of Vaastu shastra.

In the early hours of March 18, 1990, 13 works of art were stolen from the Isabella Stewart Gardner Museum in Boston. Security guards admitted two men posing as policemen responding to a disturbance call, and the thieves bound the guards and looted the museum over the next hour. The case is unsolved; no arrests have been made and no works have been recovered. The stolen works have been valued at hundreds of millions of dollars by the FBI and art dealers. The museum offers a $10 million reward for information leading to the art's recovery, the largest bounty ever offered by a private institution.

The stolen works were originally procured by art collector Isabella Stewart Gardner (1840–1924) and were intended for permanent display at the museum with the rest of her collection. Among them was The Concert, one of only 34 known paintings by Johannes Vermeer and thought to be the most valuable unrecovered painting in the world. Also missing is The Storm on the Sea of Galilee, Rembrandt's only seascape. Other paintings and sketches by Rembrandt, Edgar Degas, Édouard Manet and Govert Flinck were stolen, along with a relatively valueless eagle finial and Chinese gu. Experts were puzzled by the choice of artwork, as more valuable works were left untouched. As the collection and its layout are intended to be permanent, empty frames remain hanging both in homage to the missing works and as placeholders for their return.

Guard rails, guardrails, railings or protective guarding, in general, are a boundary feature and may be a means to prevent or deter access to dangerous or off-limits areas while allowing light and visibility in a greater way than a fence. Common shapes are flat, rounded edge, and tubular in horizontal railings, whereas tetraform spear-headed or ball-finialed are most common in vertical railings around homes. Inside the home, at the edge of stairs or balconies, they are called balustrades, especially when of a more elaborate design. Park and garden railings commonly in metalworking feature swirls, leaves, plate metal areas and/or motifs particularly on and beside gates.

High-security railings (particularly if in flat metal then a type of palisade) may instead feature jagged points and most metals are well-suited to anti-climb paint.

A gopuram or gopura is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the Dravidian architecture of South India, and Sri Lanka. In temples in other parts of India, they might be present but are more modest, while they are often the highest parts of the temple in the south. They also appear in architecture outside India such as the Khmer architecture in South East Asia.

The gopurams often function as gateways to the temple complex. They might be multi-storeyed and the higher levels typically repeat the lower level features on a rhythmic diminishing scale. They may consist of various sculptures and ornamentation. They are topped by one or more kalasams, which are a type of bulbous metal or stone finials. The gopurams are designed and constructed as per rules given in the texts of Vaastu Shastra.

Bedford–Stuyvesant (/ˌbɛdfərd ˈstaɪvəsənt/ BED-fərd STY-və-sənt), colloquially known as Bed–Stuy, is a neighborhood in the northern section of the New York City borough of Brooklyn. Bedford–Stuyvesant is bordered by Flushing Avenue to the north (bordering Williamsburg), Classon Avenue to the west (bordering Clinton Hill), Broadway to the east (bordering Bushwick and East New York), and Atlantic Avenue to the south (bordering Crown Heights and Brownsville). The main shopping street, Fulton Street, runs east–west the length of the neighborhood and intersects high-traffic north–south streets including Bedford Avenue, Nostrand Avenue, and Stuyvesant Avenue. Bedford–Stuyvesant contains four smaller neighborhoods: Bedford, Stuyvesant Heights, Ocean Hill, and Weeksville (also part of Crown Heights). Part of Clinton Hill was once considered part of Bedford–Stuyvesant.

Bedford–Stuyvesant has the largest collection of intact and largely untouched Victorian architecture in the United States, with roughly 8,800 buildings built before 1900. Its building stock includes many historic brownstones, developed for the expanding upper-middle class from the 1890s to the late 1910s. They contain highly ornamental detailing throughout their interiors and have classical architectural elements, such as brackets, quoins, fluting, finials, and elaborate frieze and cornice banding.

Luristan bronzes (rarely "Lorestān", "Lorestāni" etc. in sources in English) are small cast objects decorated with bronze sculpture from the Early Iron Age which have been found in large numbers in Lorestān Province and Kermanshah in western Iran. They include a great number of ornaments, tools, weapons, horse-fittings and a smaller number of vessels including situlae, and those found in recorded excavations are generally found in burials. The ethnicity of the people who created them remains unclear, though they may well have been Iranian, possibly related to the modern Lur people who have given their name to the area. They probably date to between about 1000 and 650 BC.

The bronzes tend to be flat and use openwork, like the related metalwork of Scythian art. They represent the art of a nomadic or transhumant people, for whom all possessions needed to be light and portable, and necessary objects such as weapons, finials (perhaps for tent-poles), horse-harness fittings, pins, cups and small fittings are highly decorated over their small surface area. Representations of animals are common, especially goats or sheep with large horns, and the forms and styles are distinctive and inventive. The "Master of Animals" motif, showing a human positioned between and grasping two confronted animals is common but typically highly stylized. Some female "mistress of animals" are seen.

Khorugv (Russian: хоругвь, Bulgarian: хоругва, Church Slavonic: хорѫгꙑ, Ukrainian: хоругва, Polish: chorągiew, Romanian: prapur, Finnish: kirkkolippu, sometimes translated as gonfalon) is a religious banner used liturgically in the Eastern Orthodox and Eastern Catholic Churches.

The khorugv or banner consists of an icon of Christ, the Theotokos or a saint, either painted or embroidered on a rectangular piece of cloth. The cloth is often pointed or swallow-tailed, or has several streamers coming down from it. The banner often has two or three tails on it, each terminating in a tassel, and may be fringed around the edges. It is suspended from a crossbar which is attached horizontally to a long vertical pole (see the article Gonfalon for a picture). The finial at the top of the pole is usually a cross. More rarely, banners can also be made of metalwork, or carved out of wood.

Salakot is a traditional lightweight headgear from the Philippines commonly used for protection against the sun and rain. Variants occur among ethnic groups, but all are shaped like a dome or cone and can range in size from having very wide brims to being almost helmet-like. Made from various materials including bamboo, rattan, nito ferns, and bottle gourd, the salakot is held in place by an inner headband and a chinstrap. The tip of the crown commonly has a spiked or knobbed finial made of metal or wood. The salakot is the direct precursor to the pith helmet (also called salacot in Spanish and salacco in French) widely used by European military forces in the colonial era.

The Cathedral Church of Saint Peter and Saint Paul in the City and Episcopal Diocese of Washington, commonly known as Washington National Cathedral or National Cathedral, is a cathedral of the Episcopal Church. The cathedral is located in Washington, D.C., the capital of the United States. The structure is of Neo-Gothic design closely modeled on English Gothic style of the late fourteenth century. It is the second-largest church building in the United States, and the third-tallest building in Washington, D.C. The cathedral is the seat of both the presiding bishop of the Episcopal Church and the bishop of the Episcopal Diocese of Washington. Over 270,000 people visit the structure annually.

The Protestant Episcopal Cathedral Foundation, under the first seven bishops of Washington, erected the cathedral under a charter passed by the United States Congress on January 6, 1893. Construction began on September 29, 1907, when the foundation stone was laid in the presence of President Theodore Roosevelt and a crowd of more than 20,000, and ended 83 years later when the "final finial" was placed in the presence of President George H. W. Bush on September 29, 1990. Decorative and restorative work, particularly of damage from a nearby earthquake in 2011, is ongoing as of 2024. The Foundation is the legal entity of which all institutions on the Cathedral Close are a part; its corporate staff provides services for the institutions to help enable their missions, conducts work of the Foundation itself that is not done by the other entities, and serves as staff for the board of trustees.