Finial in the context of "Ancient furniture"

Play Trivia Questions online!

or

Skip to study material about Finial in the context of "Ancient furniture"

Ad spacer

⭐ Core Definition: Finial

A finial (from Latin finis 'end') or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature.

In architecture, it is a small decorative device, employed to emphasize the apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Finial in the context of Ancient furniture

Ancient furniture was made from many different materials, including reeds, wood, stone, metals, straws, and ivory. The furniture was decorated through processes like upholstery, inlaying, and through the use of finials.

It was common for ancient furniture to have religious or symbolic purposes. The Incans had chacmools which were dedicated to sacrifice. Similarly, in Dilmun they had sacrificial altars. In many civilizations, certain types of furniture were reserved for upper-class citizens. Stools and thrones made for nobility in Ancient Egypt were made of fine imported wood, occasionally animal bone, and were painted, gilded, and inlaid with metals. In Mesopotamia, tables were decorated with expensive metals, chairs would be padded with felt, rushes, and upholstery. Some chairs had metal inlays.

↓ Explore More Topics
In this Dossier

Finial in the context of Gothic Revival architecture

Gothic Revival (also referred to as Victorian Gothic or Neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.

For some in England, the Gothic Revival movement had roots that were intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in the third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.

↑ Return to Menu

Finial in the context of Tekoteko

A tekoteko is a Māori carved human figure that is mounted as a finial, usually above the gable of a Māori building, most commonly a wharenui (meeting house) or a pātaka (food storehouse). It usually stands above the koruru, a carved head mounted where the bargeboards meet at the apex of the gable. The tekoteko is carved as the embodiment of the one who takes a tree as material for their house and owns said house, as all things in the environment were believed as related to mankind from the union of Ranginui and Papatūānuku.

The word tekoteko has also been used of freestanding carvings of human figures.

↑ Return to Menu

Finial in the context of Shikhars

Shikhara (Sanskrit: शिखर, IAST: Śikhara), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A shikhara over the garbhagriha chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India.

In South India, the equivalent term is vimana; unlike the shikhara, this refers to the whole building, including the sanctum beneath. In the south, shikhara is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern vimana is not to be confused with the elaborate gateway-towers of south Indian temples, called gopuram, which are often taller and more prominent features in large temples.

↑ Return to Menu

Finial in the context of Gopuram

A gopuram or gopura (Kannada: ಗೋಪುರ, Malayalam: ഗോപുരം, Tamil: கோபுரம், Telugu: గోపురం) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the southern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple.

Ancient and early medieval temples feature smaller gopuram, while in later temples they are a prominent feature of Hindu Dravidian style; in many cases the temple compound was expanded and new larger gopuram built along the new boundary. They are topped by the kalasam, a bulbous stone finial. They function as gateways through the walls that surround the temple complex. Another towering structure located towards the center of the temple is the Vimanam. Both of them are designed and constructed as per rules given in the texts of Vaastu shastra.

↑ Return to Menu