In printing and publishing, the fine press are printers and publishers publishing books and other printed matter of exceptional intrinsic quality and artistic taste, including both commercial and private presses.
In printing and publishing, the fine press are printers and publishers publishing books and other printed matter of exceptional intrinsic quality and artistic taste, including both commercial and private presses.
Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high.
Perpetua was intended as a crisp, contemporary design that did not follow any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text and has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings.
The Folio Society is an independent London-based publisher, founded by Charles Ede in 1947 and incorporated in 1971. Formerly privately owned, it became an employee ownership trust in 2021.
It produces illustrated hardback fine press editions of fiction and non-fiction books, poetry and children's titles. Folio editions feature specially designed bindings and include artist-commissioned illustrations (most often in fiction titles) or researched artworks and photographs (in non-fiction titles). The Folio Society publishes titles across a breadth of genres including fantasy, science fiction, modern fiction and non-fiction from authors such as George R. R. Martin, Madeline Miller and Stephen King.
View the full Wikipedia page for Folio SocietyAkzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin in 1898. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. Relatively little-known for a half-century after its introduction, it achieved iconic status in the post-war period as the preferred typeface of many Swiss graphic designers in what became called the "International" or "Swiss" design style which became popular across the Western world in the 1950s and 1960s. Its simple, neutral design has also influenced many later typefaces. It has sometimes been sold as Standard in English-speaking countries, and a variety of digital versions have been released by Berthold and other companies.
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