A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play. It is generally longer and more detailed than an outline (or one-page synopsis), and it may include details of directorial style that an outline omits. Treatments read like a short story, but are told in the present tense and describe events as they happen. A treatment may also be created in the process of adapting a novel, play, or other pre-existing work into a screenplay.
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👉 Film treatment in the context of Indiana Jones and the Temple of Doom
Indiana Jones and the Temple of Doom is a 1984 American action-adventure film directed by Steven Spielberg from a script by Willard Huyck and Gloria Katz, based on a story by George Lucas. It is the second installment in the Indiana Jones film series and a standalone prequel to Raiders of the Lost Ark. The film stars Harrison Ford, who reprises his role as the titular character. Kate Capshaw, Amrish Puri, Roshan Seth, Philip Stone and Ke Huy Quan, in his film debut, star in supporting roles. In the film, after arriving in British India, Indiana Jones is asked by desperate villagers to find a mystical stone and rescue their children from a Thuggee cult to all appearances practicing child slavery, black magic and ritual human sacrifice in honor of the demon Kali.
Not wishing to feature the Nazis as the villains again, executive producer and story writer George Lucas decided to regard this film as a prequel. Three plot devices were rejected before Lucas wrote a film treatment that resembled the final storyline. As Lawrence Kasdan, Lucas's collaborator on Raiders of the Lost Ark, turned down the offer to write the script, Willard Huyck and Gloria Katz, who had previously worked with Lucas on American Graffiti (1973), were hired as his replacements.
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Film treatment in the context of Star Wars (film)
Star Wars (also known as Star Wars: Episode IV – A New Hope) is a 1977 American epic space opera film written and directed by George Lucas, produced by Lucasfilm Ltd. and released by Twentieth Century-Fox. It is the first film in the Star Wars franchise and the fourth chronological chapter of the "Skywalker Saga". Set in a fictional galaxy under the rule of the tyrannical Galactic Empire, the film follows a resistance movement, called the Rebel Alliance, that aims to destroy the Empire's ultimate weapon, the Death Star. When the rebel leader Princess Leia is captured by the Galactic Empire, Luke Skywalker acquires stolen architectural plans for the Death Star and sets out to rescue her while learning the ways of a metaphysical power known as "the Force" from the Jedi Master Obi-Wan Kenobi. The cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, Peter Mayhew, David Prowse, and James Earl Jones.
Lucas had the idea for a science fiction film in the vein of Flash Gordon around the time he completed his first film, THX 1138 (1971), and he began working on a treatment after the release of American Graffiti (1973). After numerous rewrites, principal photography began in March of 1976 in locations including Tunisia and Elstree Studios in Hertfordshire, England. Lucas formed the visual effects company Industrial Light & Magic to help create the film's visual effects. Star Wars suffered production difficulties: the cast and crew believed the film would be a failure, and it went $3 million over budget due to delays.
Film treatment in the context of The Lion King
The Lion King is a 1994 American animated musical drama film directed by Roger Allers and Rob Minkoff, produced by Don Hahn, and written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. It was produced by Walt Disney Feature Animation, and features an ensemble voice cast consisting of Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Moira Kelly, Niketa Calame, Nathan Lane, Ernie Sabella, Whoopi Goldberg, Cheech Marin, Rowan Atkinson, and Robert Guillaume. The story follows a young lion prince named Simba, who is exiled from his kingdom after his father Mufasa is murdered by his uncle Scar to seize the throne. As he grows up, Simba must decide whether to return home to confront Scar and reclaim his place as king.
The Lion King was conceived during conversations among various Disney executives, to whom several writers submitted early treatments. Original director George Scribner had envisioned The Lion King as a nature documentary-style film, with Allers joining as co-director after having worked in the story departments of several successful animated Disney films. The Lion King's plot draws inspiration from several sources, notably William Shakespeare's play Hamlet. Woolverton, screenwriter for Disney's Beauty and the Beast (1991), drafted early versions of The Lion King's script, which Mecchi and Roberts were hired to revise once Woolverton left to prioritize other projects. Scribner departed due to disagreements over the studio's decision to reimagine the film as a musical, with original songs by Elton John and Tim Rice, and Minkoff was hired to replace him in April 1992. Throughout production, the creative team visited Kenya for research and inspiration.
Film treatment in the context of Metropolis (1927 film)
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang, based on von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studio for Universum Film A.G. (UFA). Metropolis is regarded as a pioneering science-fiction film, being among the first feature-length ones of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks, or the equivalent of about €21 million.
Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, the city master. The film's message is encompassed in the final inter-title: "The Mediator Between the Head and the Hands Must Be the Heart".