Film censorship in the context of "Mae West"

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👉 Film censorship in the context of Mae West

Mary Jane "Mae" West (August 17, 1893 – November 22, 1980) was an American actress, singer, comedian, screenwriter, and playwright whose career spanned more than seven decades. Recognized as a prominent sex symbol of her time, she was known for portraying sexually confident characters and for her use of double entendres, often delivering her lines in a distinctive contralto voice. West began performing in vaudeville and on stage in New York City before moving on to film in Los Angeles.

She was frequently associated with controversies over censorship and once stated, "I believe in censorship. I made a fortune out of it." As her film career declined, she remained active by writing books and plays, performing in Las Vegas and London, and appearing on radio and television. In later years, she also released rock and roll recordings. In 1999, the American Film Institute ranked her 15th among the greatest female screen legends of classic American cinema.

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Film censorship in the context of Cult film

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate as to whether these popular and accepted films are still cult films. After failing at the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge.

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