Figure–ground (perception) in the context of "Edgar Rubin"

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⭐ Core Definition: Figure–ground (perception)

Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology it is known as identifying a figure from the background. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background".

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👉 Figure–ground (perception) in the context of Edgar Rubin

Edgar John Rubin (September 6, 1886 – May 3, 1951) was a Danish psychologist/phenomenologist, remembered for his work on figure-ground perception as seen in such optical illusions like the Rubin vase.

Born to Jewish parents, Rubin was born and raised in Copenhagen. Enrolling at the University of Copenhagen in 1904, he majored in psychology and finished his magister artium examination in philosophy in 1910.

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Figure–ground (perception) in the context of Visual communications

Visual communication is the use of visual elements to convey ideas and information which include (but are not limited to) signs, typography, drawing, graphic design, illustration, industrial design, advertising, animation, and electronic resources.

This style of communication relies on the way one's brain perceives outside images. These images come together within the human brain making it as if the brain is what is actually viewing the particular image. Visual communication has been proven to be unique when compared to other verbal or written languages because of its more abstract structure. It stands out for its uniqueness, as the interpretation of signs varies on the viewer's field of experience. The brain then tries to find meaning from the interpretation. The interpretation of imagery is often compared to the set alphabets and words used in oral or written languages. Another point of difference found by scholars is that, though written or verbal languages are taught, sight does not have to be learned and therefore people of sight may lack awareness of visual communication and its influence in their everyday life. Many of the visual elements listed above are forms of visual communication that humans have been using since prehistoric times. Within modern culture, there are several types of characteristics when it comes to visual elements, they consist of objects, models, graphs, diagrams, maps, and photographs. Outside the different types of characteristics and elements, there are seven components of visual communication: color, shape, tones, texture, figure-ground, balance, and hierarchy.

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