Femininity in the context of "Sexual orientation"

Hathor (Ancient Egyptian: ḥwt-ḥr, lit. 'House of Horus', Ancient Greek: Ἁθώρ Hathōr, Coptic: ϩⲁⲑⲱⲣ, Meroitic: 𐦠𐦴𐦫𐦢‎ Atari) was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form, she had a vengeful aspect that protected him from his enemies. Her beneficent side represented beauty, music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife.

Hathor was often depicted as a cow, symbolizing her maternal and celestial aspect, although her most common form was a woman wearing a headdress of cow horns and a sun disk. She could also be represented as a lioness, a cobra, or a sycomore tree.

Cultural transformation theory proposes that societies used to follow a “partnership model” of civilization but over time, it gave way to today's current “dominator model” of civilization. This theory was first proposed by Riane Eisler, a cultural scholar, in her book The Chalice and the Blade. Eisler affirms that societies exist on a partnership-domination continuum but we as a species have moved away from our former partnership orientation to a more domination orientation by uplifting masculine ideals over feminine ideals. She insists that people do not have to live in a society based on the rule of one gender class over the other. There is historical evidence that another type of society, where all individuals are equal, is possible.

The partnership model centers on an egalitarian arrangement. A society where each individual is accepted as equal and feminine values are given just as much importance as masculine values. The hierarchy of power in these societies is very fluid and not maintained through abusive means. In contrast, the dominator model relies heavily upon a strict top-down hierarchy which ranks individuals as superior and inferior, with males often seen as superior over females. The rankings are based upon overpowering others and normally determined through violence. Because of the differing ideals, there is a stark difference between the two models and how each society type treats members of each gender. Because a partnership society values equality of all, men and women are treated with the same amount of respect. Duties are divided up fairly between everyone and no one individual's job is deemed more important than another's. However, dominator societies tend to devaluate jobs performed by women, especially those that involve a significant level of feminine values such as care and compassion.

Gender identity is the personal sense of one's own gender. Gender identity can correlate with a person's assigned sex or can differ from it. In most individuals, the various biological determinants of sex are congruent and consistent with the individual's gender identity. Gender expression typically reflects a person's gender identity, but this is not always the case. While a person may express behaviors, attitudes, and appearances consistent with a particular gender role, such expression may not necessarily reflect their gender identity. The term gender identity was coined by psychiatry professor Robert J. Stoller in 1964 and popularized by psychologist John Money.

In most societies, there is a basic division between gender attributes associated with males and females, a gender binary to which most people adhere and which includes expectations of masculinity and femininity in all aspects of sex and gender: biological sex, gender identity, gender expression, and sexual orientation. Some people do not identify with some, or all, of the aspects of gender associated with their biological sex; some of those people are transgender, non-binary, or genderqueer. Some societies have third gender categories.

A gender role, or sex role, is a social norm deemed appropriate or desirable for individuals based on their gender or sex, and is usually centered on societal views of masculinity and femininity.

The specifics regarding these gendered expectations may vary among cultures, while other characteristics may be common throughout a range of cultures. In addition, gender roles (and perceived gender roles) vary based on a person's race or ethnicity.

Les Demoiselles d'Avignon (The Young Ladies of Avignon, originally titled The Brothel of Avignon) is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. Part of the permanent collection of the Museum of Modern Art in New York, it portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. The figures are confrontational and not conventionally feminine, being rendered with angular and disjointed body shapes, some to a menacing degree. The far left figure exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are in an Iberian style of Picasso's Spain, while the two on the right have African mask-like features. Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style of compelling, even savage force" leading him to add a shamanistic aspect to his project.

Drawing from tribal primitivism while eschewing central dictates of Renaissance perspective and verisimilitude for a compressed picture plane using a Baroque composition while employing Velazquez's confrontational approach seen in Las Meninas, Picasso sought to take the lead of the avant-garde from Henri Matisse. John Richardson said Demoiselles made Picasso the most pivotal artist in Western painting since Giotto and laid a path forward for Picasso and Georges Braque to follow in their joint development of cubism, the effects of which on modern art were profound and unsurpassed in the 20th century.

Pierre-Auguste Renoir (/rɛnˈwɑːr/; French: [pjɛʁ oɡyst ʁənwaʁ]; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. It has been said that, as a celebrator of beauty and especially feminine sensuality, "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

He was the father of the actor Pierre Renoir (1885–1952), the filmmaker Jean Renoir (1894–1979) and the ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.

The Personal Attributes Questionnaire (PAQ) is a personality test measuring two scales "instrumentality" and "expressivity", commonly taken to be masculinity and femininity, respectively. It is one of the most commonly used measures of gender identity, second only to the Bem Sex-Role Inventory.

The PAQ was first developed by Janet T. Spence, Robert Helmreich, and Joy Stapp in 1975.