Feast day in the context of "Cult image"

⭐ In the context of cult images, a key characteristic of their role during feast days is that they are often...

Ad spacer

⭐ Core Definition: Feast day

The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does not mean "a large meal, typically a celebratory one", but instead "an annual religious celebration, a day dedicated to a particular saint".

The system rose from the early Christian custom of commemorating each martyr annually on the date of their death, their birth into heaven, a date therefore referred to in Latin as the martyr's dies natalis ('day of birth'). In the Eastern Orthodox Church, a calendar of saints is called a Menologion. "Menologion" may also mean a set of icons on which saints are depicted in the order of the dates of their feasts, often made in two panels.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Feast day in the context of Cult image

In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt, Greece and Rome, and Hinduism, cult images in a temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple.

The term idol is an image or representation of a god used as an object of worship, while idolatry is the worship of an "idol" as though it were God.

↓ Explore More Topics
In this Dossier

Feast day in the context of Mark the Evangelist

Mark the Evangelist (Koinē Greek: Μᾶρκος, romanized: Mârkos), also known as John Mark (Koinē Greek: Ἰωάννης Μᾶρκος, romanized: Iōánnēs Mârkos; Aramaic: ܝܘܚܢܢ, romanized: Yōḥannān) or Saint Mark, was an Egyptian who is traditionally ascribed to be the author of the Gospel of Mark. Most modern scholars agree that the gospel of Mark is anonymous, though the topic remains contentious among experts. Scholarship is inconclusive on authorship; some reject the attribution to Mark while others debate the identity of Mark. According to Church tradition, Mark founded the episcopal see of Alexandria, which was one of the five most important sees of early Christianity. His feast day is celebrated on April 25, and his symbol is the winged lion.

↑ Return to Menu

Feast day in the context of Liturgical year

The liturgical year, also called the church year, Christian year, ecclesiastical calendar, or kalendar, consists of the cycle of liturgical days and seasons that determines when feast days, including celebrations of saints, are to be observed, and which portions of scripture are to be read.

Distinct liturgical colours may be used in connection with different seasons of the liturgical year. The dates of the festivals vary somewhat among the different churches, although the sequence and logic is largely the same.

↑ Return to Menu

Feast day in the context of Altarpiece

An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting.

The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted on the reverse with different simpler images. Often this was the normal view shown in the church, except for Sundays and feast days, when the wings were opened to display the main image. At other times visitors could usually see this by paying the sacristan.

↑ Return to Menu

Feast day in the context of Saint Joseph

According to the canonical Gospels, Joseph was a 1st-century Jewish man of Nazareth who was married to Mary, the mother of Jesus, and was the legal father of Jesus.

Joseph is venerated as Saint Joseph in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Church, Anglicanism and Lutheranism. In Catholic traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. The month of March is dedicated to Saint Joseph. Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a holy death, due to the belief that he died in the presence of Jesus and Mary. Joseph has become patron of various dioceses and places. Being a patron saint of virgins, he is venerated as "most chaste". The veneration of the pure and most Chaste Heart of Joseph has, in contrast to the Most Sacred Heart of Jesus and the Immaculate Heart of Mary, no liturgical cultus, but is a private devotion.

↑ Return to Menu

Feast day in the context of Cult statue

In the practice of religion, a cult image is a human-made object that is venerated or worshipped for the deity, spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt, Greece and Rome, and Hinduism, cult images in a temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple.

The term idol, usually pejorative in English (except in Indian English where it usually carries no hostile implication), is an image or representation of a god used as an object of worship, while idolatry is the worship of an "idol" as though it were God. Anthropologists reporting on many cultures are generally sceptical that images themselves are in fact regarded as deities within religions, rather than representations of deities; this, however, has been since antiquity the recurrent charge of those opposed to religious images.

↑ Return to Menu

Feast day in the context of Leo IX

Pope Leo IX (Italian: Leone IX, German: Leo IX., 21 June 1002 – 19 April 1054), born Bruno von Egisheim-Dagsburg, was the head of the Catholic Church and ruler of the Papal States from 12 February 1049 to his death in 1054. Leo IX is considered to be one of the most historically significant popes of the Middle Ages; he was instrumental in the precipitation of the Great Schism of 1054, considered the turning point in which the Catholic and Eastern Orthodox Churches formally separated.

Leo IX favoured traditional morality in his reformation of the Catholic Church. One of his first public acts was to hold the Easter synod of 1049; he joined Emperor Henry III in Saxony and accompanied him to Cologne and Aachen. He also summoned a meeting of the higher clergy in Reims, in which several important reforming decrees were passed. At Mainz, he held a council at which the Italian and French as well as the German clergy were represented, and ambassadors of the Byzantine emperor were present. Here too, simony and clerical marriage were the principal matters dealt with. He is regarded as a saint by the Catholic Church; his feast day is celebrated on 19 April.

↑ Return to Menu

Feast day in the context of Patronal festivals

A patronal feast or patronal festival (Spanish: fiesta patronal; Catalan: festa patronal; Portuguese: festa patronal; Italian: festa patronale; French: fête patronale) is a yearly celebration dedicated – in countries influenced by Christianity – to the 'heavenly advocate' or 'patron' of the location holding the festival, who is a saint or virgin. The day of this celebration is called patronal feast day, patronal day or patron day of said location.

Patronal festivals may reflect national holidays (e.g. the feast of Saint George, patron saint of England, Georgia, Bulgaria, Romania, Portugal, and various regions of Spain), but they usually reflect the celebration of a single city or town.In larger cities, there may even be several festivals, usually about the patron saint of the local parish.

↑ Return to Menu