Fear and Loathing in Las Vegas (film) in the context of "Terry Gilliam"

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👉 Fear and Loathing in Las Vegas (film) in the context of Terry Gilliam

Terrence Vance Gilliam (/ˈɡɪliəm/ GIL-ee-əm; born 22 November 1940) is an American-British filmmaker, comedian, collage animator, and actor. He gained stardom as a member of the Monty Python comedy troupe alongside John Cleese, Eric Idle, Michael Palin, Terry Jones, and Graham Chapman. Together they collaborated on the sketch series Monty Python's Flying Circus (1969–1974) and the films Monty Python and the Holy Grail (1975, also co-directed), Life of Brian (1979) and The Meaning of Life (1983). In 1988, they received the BAFTA Award for Outstanding British Contribution to Cinema. In 2009, Gilliam received the BAFTA Fellowship for lifetime achievement.

Gilliam transitioned to directing serious films with themes exploring imagination and oppositions to bureaucracy and authoritarianism. His films are sometimes set in dystopian worlds and involve black comedy and tragicomedic elements. He has directed thirteen feature films, gaining acclaim for Time Bandits (1981), Brazil (1985), The Adventures of Baron Munchausen (1988), The Fisher King (1991), and 12 Monkeys (1995). Other directing credits include Fear and Loathing in Las Vegas (1998), The Imaginarium of Doctor Parnassus (2009), and The Man Who Killed Don Quixote (2018).

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Fear and Loathing in Las Vegas (film) in the context of Hunter S. Thompson

Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author, regarded as a pioneer of New Journalism along with Gay Talese, Truman Capote, Norman Mailer, Joan Didion, and Tom Wolfe. He rose to prominence with the book Hell's Angels (1967), for which he lived a year among the Hells Angels motorcycle club to write a first-hand account of their lives and experiences. In 1970, he wrote an unconventional article titled "The Kentucky Derby Is Decadent and Depraved" for Scanlan's Monthly, which further raised his profile as a countercultural figure. It also set him on the path to establish the subgenre of New Journalism that he called "Gonzo", a style in which the writer becomes central to, and participant in the narrative.

Thompson is best known for Fear and Loathing in Las Vegas (1972), a book first serialized in Rolling Stone in which he grapples with the implications of what he considered the failure of the 1960s counterculture. It was adapted for film twice, loosely in 1980 in Where the Buffalo Roam and explicitly in 1998 in Fear and Loathing in Las Vegas.

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