Falsetto in the context of "Brian Wilson"

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👉 Falsetto in the context of Brian Wilson

Brian Douglas Wilson (June 20, 1942 – June 11, 2025) was an American musician, singer, songwriter and record producer who co-founded the Beach Boys and received widespread recognition as one of the most innovative and significant musical figures of his era. His work was distinguished for its high production values, complex harmonies and orchestrations, vocal layering, and introspective or ingenuous themes. He was also known for his versatile head voice and falsetto.

Wilson's formative influences included George Gershwin, the Four Freshmen, Phil Spector, and Burt Bacharach. In 1961, he began his professional career as a member of the Beach Boys, serving as the band's songwriter, producer, co-lead vocalist, bassist, keyboardist, and de facto leader. After signing with Capitol Records in 1962, he became the first pop musician credited for writing, arranging, producing, and performing his own material. He also produced acts such as the Honeys and American Spring. By the mid-1960s he had written or co-written more than two dozen U.S. Top 40 hits, including the number-ones "Surf City" (1963), "I Get Around" (1964), "Help Me, Rhonda" (1965), and "Good Vibrations" (1966). He is considered the first rock producer to apply the studio as an instrument and one of the first music producer auteurs.

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Falsetto in the context of Earth, Wind & Fire

Earth, Wind & Fire (abbreviated as EW&F or EWF) is an American band formed in Chicago, Illinois, in 1969. Their music spans multiple genres, including jazz, R&B, soul, funk, disco, pop, Latin and Afro-pop. They are among the best-selling bands of all time, with sales of over 90 million records worldwide.

The band was formed by Maurice White, originating out of the Salty Peppers; its history includes a hiatus from mid-1984 to mid-1987. Prominent members have included Verdine White, Philip Bailey, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Robert Brookins, Sonny Emory, Ronnie Laws, Sheldon Reynolds and Andrew Woolfolk. The band is known for its kalimba sound, dynamic horn section, energetic and elaborate stage shows, and the contrast between Bailey's falsetto and Maurice's tenor vocals.

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Falsetto in the context of Yodeling

Yodeling (also jodeling) is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register (or "chest voice") and the high-pitch head register or falsetto. The English word yodel is derived from the German word jodeln, meaning "to utter the syllable jo" (pronounced "yo"). This vocal technique is used in many cultures worldwide. Recent scientific research concerning yodeling and non-Western cultures suggests that music and speech may have evolved from a common prosodic precursor.

Alpine yodeling was a longtime rural tradition in Europe, and became popular in the 1830s as entertainment in theaters and music halls. In Europe, yodeling is still a major feature of folk music (Volksmusik) from Switzerland, Austria, Southern Germany, the Eastern French regions of Alsace and Savoy and the Northern Italian region of Trentino-South Tirol and can be heard in many contemporary folk songs, which are also featured on regular TV broadcasts.

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Falsetto in the context of Tiny Tim (musician)

Herbert Butros Khaury (April 12, 1932 – November 30, 1996), also known as Herbert Buckingham Khaury, and known professionally as Tiny Tim, was an American musician, songwriter and musical archivist. He is especially known for his 1968 hit recording of "Tiptoe Through the Tulips", a cover of the popular song "Tiptoe Through the Tulips with Me" from the 1929 musical Gold Diggers of Broadway. Tiny Tim was renowned for his wide vocal range, in particular his far-reaching falsetto.

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