Fall of Troy in the context of "Italy (Roman Empire)"

Roman Italy is the period of ancient Italian history going from the founding and rise of Rome to the decline and fall of the Western Roman Empire; the Latin name of the Italian peninsula in this period was Italia (continued to be used in the Italian language). According to Roman mythology, Italy was the ancestral home of Aeneas, being the homeland of the Trojans progenitor, Dardanus; Aeneas, instructed by Jupiter, moved to Italy after the fall of Troy, and his descendants, Romulus and Remus, were the founders of Rome. Aside from the legendary accounts, Rome was an Italic city-state that changed its form of government from Kingdom (ruled, between 753 BC and 509 BC, by seven kings) to Republic, and then grew within the context of a peninsula dominated by the Gauls, Ligures, Veneti, Camunni and Histri in the North; the Etruscans, Latins, Falisci, Picentes, Umbri and Sabines in the Centre; and the Iapygian tribes (such as the Messapians), the Oscan tribes (such as the Samnites) and Greek colonies in the South.

The consolidation of Italy into a single entity occurred during the Roman expansion in the peninsula, when Rome formed a permanent association with most of other the local tribes and cities; and Italy's inhabitants included Roman citizens, communities with Latin Rights, and socii. The strength of the Italian confederacy was a crucial factor in the rise of Rome, starting with the Punic and Macedonian wars between the 3rd and 2nd century BC. As Roman provinces were being established throughout the Mediterranean, Italy maintained a special status with political, religious and financial privileges. In Italy, Roman magistrates exercised the imperium domi (police power), as an alternative to the imperium militiae (military power) exercised in the provinces.

The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC, or at the latest 438 BC, with 442 BC as the probable date of completion. Most of them are very damaged. Typically, they represent two characters per metope either in action or repose.

The interpretations of these metopes are only conjectures, starting from mere silhouettes of figures, sometimes barely discernible, and comparing them to other contemporary representations (mainly vases). There is one theme per side of the building, each featuring battle scenes: Amazonomachy in the west, the fall of Troy in the north, Gigantomachy in the east, and Centaurs and Lapiths in the south. The metopes have a purely warlike theme, like the decoration of the chryselephantine statue of Athena Parthenos housed in the Parthenon, and seem to be an evocation of the opposition between order and chaos, between the human and the animal (sometimes animal tendencies in the human), between civilization and barbarism. This general theme is considered to be a metaphor for the Persian wars and thus the triumph of the city of Athens.

Lesches (Ancient Greek: Λέσχης) is a semi-legendary early Greek poet and the reputed author of the Little Iliad. According to the usually accepted tradition, he was a native of Pyrrha in Lesbos, and flourished about 660 BC (others place him about 50 years earlier). Proclus refers to him as "Lesches of Mytilene". Mytilene and Lesbos are names of the same Greek island used interchangeably.

The lost epic Little Iliad, in four books, was commonly attributed to Lesches. It took up the story of the Homeric Iliad, and, beginning with the contest between Telamonian Ajax and Odysseus for the arms of Achilles, carried it down to the feast of the Trojans over the captured Trojan Horse, according to the epitome in Proclus, or to the Fall of Troy, according to Aristotle. Some ancient authorities ascribe the work to a Spartan named Cinaethon, and even to Homer.