Faience in the context of "Slip (ceramics)"

A cultural artifact, or cultural artefact (see American and British English spelling differences), is a term used in the social sciences, particularly anthropology, ethnology and sociology for anything created by humans which gives information about the culture of its creator and users. Artifact is the spelling in North American English; artefact is usually preferred elsewhere.

Cultural artifact is a more generic term and should be considered with two words of similar, but narrower, nuance: it can include objects recovered from archaeological sites, i.e. archaeological artifacts, but can also include objects of modern or early-modern society, or social artifacts. For example, in an anthropological context, a 17th-century lathe, a piece of faience, or a television each provides a wealth of information about the time in which they were manufactured and used.

Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.

The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines."

A tureen is a serving dish for foods such as soups or stews, often shaped as a broad, deep, oval vessel with fixed handles and a low domed cover with a knob or handle. Over the centuries, tureens have appeared in many different forms: round, rectangular, or made into fanciful shapes such as animals or wildfowl. Tureens may be ceramic—either the glazed earthenware called faience, or porcelain—or silver, and customarily they stand on an undertray or platter made en suite.
Cite error: There are <ref group=lower-roman> tags or {{efn-lr}} templates on this page, but the references will not show without a {{reflist|group=lower-roman}} template or {{notelist-lr}} template (see the help page).

Glass is an amorphous (non-crystalline) solid. Because it is often transparent and chemically inert, glass has found widespread practical, technological, and decorative use in window panes, tableware, and optics. Some common objects made of glass are named after the material, e.g., a "glass" for drinking, "glasses" for vision correction, and a "magnifying glass".

Glass is most often formed by rapid cooling (quenching) of the molten form. Some glasses such as volcanic glass are naturally occurring, and obsidian has been used to make arrowheads and knives since the Stone Age. Archaeological evidence suggests glassmaking dates back to at least 3600 BC in Mesopotamia, Egypt, or Syria. The earliest known glass objects were beads, perhaps created accidentally during metalworking or the production of faience, which is a form of pottery using lead glazes.

Delftware or Delft pottery, also known as Delft Blue (Dutch: Delfts blauw) or as delf, is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made elsewhere. It is also used for similar pottery, English delftware.

Delftware is one of the types of tin-glazed pottery in which a white glaze is applied and usually decorated with metal oxides. In particular, the cobalt oxide is used for its ability to withstand high firing temperatures, allowing it to be applied under this glaze. Cobalt Oxide is also what gives Delftware its trademark blue designs.

Faenza (UK: /fɑːˈɛntsə/, US: /fɑːˈɛnzə/; Italian: [faˈɛntsa]; Romagnol: Fènza or Fẽza; Latin: Faventia) is an Italian comune with 58,746 inhabitants in the Province of Ravenna in Emilia-Romagna. The city is historically renowned for its production of artistic ceramics, to the extent that maiolica, due to the fame of local craftsmanship, is known worldwide as faience.

Of Roman origin, under the rule of the Manfredi, Faenza entered a period of significant growth that peaked during the Renaissance and Baroque eras, shaping its art and architecture. Due to its vibrant artistic and cultural activity, between the 18th and 19th centuries, it became a prominent center of Neoclassicism in Italy and Europe, with the finest example today being the National Museum of Palazzo Milzetti.

Niderviller faience (German Niederweiler) is one of the most famous French pottery manufacturers. It has been located in the village of Niderviller, Lorraine, France since 1735. It began as a maker of faïence (tin-glazed earthenware), and returned to making this after a period in the mid-18th century when it also made hard-paste porcelain. In both materials, it made heavy use of deep magenta or pink in its decoration.

Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration. It has been important in Islamic and European pottery, but very little used in East Asia. The pottery body is usually made of red or buff-colored earthenware and the white glaze imitated Chinese porcelain. The decoration on tin-glazed pottery is usually applied to the unfired glaze surface by brush with metallic oxides, commonly cobalt oxide, copper oxide, iron oxide, manganese dioxide and antimony oxide. The makers of Italian tin-glazed pottery from the late Renaissance blended oxides to produce detailed and realistic polychrome paintings.

The earliest tin-glazed pottery appears to have been made in Iraq in the 9th century, the oldest fragments having been excavated during the First World War from the palace of Samarra about fifty miles north of Baghdad. From there it spread to Egypt, Persia and Spain before reaching Italy in mid-15th century, early Renaissance, Holland in the 16th century and England, France and other European countries shortly after.

Maiolica /maɪˈɒlɪkə/ is tin-glazed pottery decorated in colours on a white background. The most renowned maiolica is from the Renaissance period. These works were known as istoriato wares ("painted with stories") when depicting historical and mythical scenes. Its origins date from painted Hispano-Moresque ware from Spain, developing the styles of Al-Andalus. By the late 15th century, multiple locations were producing sophisticated pieces for a luxury market. In Italy, the production arose in the northern and central regions. In France, maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English, the spelling was anglicised to majolica (/maɪˈɒlɪkə/).