FAIA in the context of "Daniel Burnham"

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⭐ Core Definition: FAIA

Fellow of the American Institute of Architects (FAIA) is a postnominal title or membership, designating an individual who has been named a fellow of the American Institute of Architects (AIA).

Fellowship is bestowed by the institute on AIA-member architects who have made outstanding contributions to the profession through design excellence, contributions in the field of architectural education, or to the advancement of the profession. In 2014, fewer than 3,200 of the more than 80,000 AIA members were fellows. Honorary Fellowship (Hon. FAIA) is awarded to foreign (non-U.S. citizen) architects, and to non-architects who have made substantial contributions to the field of architecture or to the institute.

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👉 FAIA in the context of Daniel Burnham

Daniel Hudson Burnham FAIA (September 4, 1846 – June 1, 1912) was an American architect and urban designer. A proponent of the Beaux-Arts movement, he may have been "the most successful power broker the American architectural profession has ever produced."

A successful Chicago architect, he was selected as Director of Works for the 1892–93 World's Columbian Exposition, colloquially referred to as "The White City". He had prominent roles in the creation of master plans for the development of a number of cities, including the Plan of Chicago, and plans for Manila, Baguio and downtown Washington, D.C. He also designed several famous buildings, including a number of notable skyscrapers in Chicago, the Flatiron Building of triangular shape in New York City, Washington Union Station in Washington D.C., London's Selfridges department store, and San Francisco's Merchants Exchange.

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FAIA in the context of Skyline

A skyline is the outline or shape viewed near the horizon. It can be created by a city's overall structure, or by human intervention in a rural setting, or in nature that is formed where the sky meets buildings or the land.

City skylines serve as a pseudo-fingerprint as no two skylines are alike. For this reason, news and sports programs, television shows, and movies often display the skyline of a city to set a location. The term The Sky Line of New York City was introduced in 1896, when it was the title of a color lithograph by Charles Graham for the color supplement of the New York Journal. Paul D. Spreiregen, FAIA, has called a [city] skyline "a physical representation [of a city's] facts of life ... a potential work of art ... its collective vista."

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FAIA in the context of Charles Moore (architect)

Charles Willard Moore (October 31, 1925 – December 16, 1993) was an American architect, educator, writer, Fellow of the American Institute of Architects, and winner of the AIA Gold Medal in 1991. He is often labeled as the father of postmodernism. His work as an educator was important to a generation of American architects who read his books or studied with him at one of the several universities where he taught.

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FAIA in the context of Eero Saarinen

Eero Saarinen (/ˈr ˈsɑːrɪnən, ˈɛər -/, Finnish: [ˈeːro ˈsɑːrinen]; August 20, 1910 – September 1, 1961) was a Finnish-American architect and industrial designer. Saarinen's work includes the General Motors Technical Center; the Dulles International Airport Main Terminal; the TWA Flight Center at John F. Kennedy International Airport; the Vivian Beaumont Theater at Lincoln Center; the Gateway Arch; and the IBM Thomas J. Watson Research Center. During his career, Saarinen was elected a Fellow of the American Institute of Architects and served on the National Institute of Arts and Letters.

Born in Hvitträsk, Finland, he was the son of Finnish architect Eliel Saarinen, and immigrated to the United States as a teenager. Saarinen grew up in Bloomfield Hills, Michigan, studying at the Cranbrook Academy of Art, where his father taught. Saarinen became a naturalized citizen of the United States in 1940, a year after marrying the sculptor Lilian Swann, with whom he had two children. After divorcing Swann in 1954, Saarinen married Aline Bernstein Louchheim. In 1961, Saarinen died while undergoing an operation for a brain tumor.

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FAIA in the context of Gordon Bunshaft

Gordon Bunshaft FAIA (May 9, 1909 – August 6, 1990) was an American architect, a leading proponent of modern design in the mid-twentieth century. A partner in Skidmore, Owings & Merrill (SOM), Bunshaft joined the firm in 1937 and remained with it for more than 40 years. His notable buildings include Lever House in New York, the Beinecke Rare Book and Manuscript Library at Yale University, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the National Commercial Bank in Jeddah, Saudi Arabia, 140 Broadway (Marine Midland Grace Trust Co.), and Manufacturers Hanover Trust Branch Bank in New York, the first post-war "transparent" bank on the East Coast.

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FAIA in the context of Myron Hunt

Myron Hubbard Hunt (February 27, 1868 – May 26, 1952) was an American architect whose numerous projects include many noted landmarks in Southern California and Evanston, Illinois. Hunt was elected a Fellow in the American Institute of Architects in 1908.

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