Extra (acting) in the context of "Character actor"

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⭐ Core Definition: Extra (acting)

A background actor or extra is a performer in a film, television show, stage, musical, opera, or ballet production who appears in a nonspeaking or nonsinging (silent) capacity, usually in the background (for example, in an audience or busy street scene). War films and epic films often employ background actors in large numbers: some films have featured hundreds or even thousands of paid background actors as cast members (hence the term "cast of thousands"). Likewise, grand opera can involve many background actors appearing in spectacular productions.

On a film or TV set, background actors are usually referred to as "supporting artists", "junior artists", "atmosphere", "background talent", "background performers", "background artists", "background cast members", "talent", "background friends", or simply "background", while the term "extra" is rarely used and is often considered derogatory. In a stage production, background actors are commonly referred to as "supernumeraries". A more archaic theatre term is "sword carriers". In opera and ballet, they are called either "extras" or "supers".

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👉 Extra (acting) in the context of Character actor

A character actor is an actor known for playing unusual, eccentric, or interesting characters in supporting roles, rather than leading ones. The term is somewhat abstract and open to interpretation. While all actors play "characters", the term character actor is often applied to an actor who frequently plays a distinctive and important supporting role.

A character actor may play a variety of characters in their career, often referred to as a "chameleon", or may be known for playing the same type of roles. Character actor roles are more substantial than bit parts or non-speaking extras. The term is used primarily to describe television and film actors, as opposed to theater actors. An early use of the term was in the 1883 edition of The Stage, which defined a character actor as "one who portrays individualities and eccentricities". Actors with a long career history of playing character roles may be difficult for audiences to recognize as being the same actor.

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Extra (acting) in the context of Casting (performing arts)

In the performing arts industry such as theatre, film, or television, casting, or a casting call, is a pre-production process for selecting a certain type of actor, dancer, singer, or extra to land the role of a character in a script, screenplay, or teleplay. This process may be used for a motion picture, television program, documentary film, music video, play, or advertisement intended for an audience.

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Extra (acting) in the context of Quo Vadis (1913 film)

Quo Vadis is an Italian film directed by Enrico Guazzoni for Cines in 1913, based on the 1896 novel of the same name written by Henryk Sienkiewicz. It was one of the first blockbusters in the history of cinema, with 5,000 extras, lavish sets, and a lengthy running time of two hours, setting the standard for "superspectacles" for decades to come.

A worldwide success, it premiered in Germany at the opening night of the Ufa-Pavillon am Nollendorfplatz (Berlin's first purpose-built, free-standing cinema), on 19 March 1913. In an unusual departure from normal cinematic practice, the crowd scenes were reinforced with "special mobs" of live costumed actors in the auditorium.

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Extra (acting) in the context of The Birth of a Nation

The Birth of a Nation is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play The Clansman: A Historical Romance of the Ku Klux Klan. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken.

The Birth of a Nation is a landmark of film history, lauded for its technical virtuosity. It was the first non-serial American 12-reel film ever made. Its plot, part fiction and part history, chronicles the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years—the pro-Union (Northern) Stonemans and the pro-Confederacy (Southern) Camerons. It was originally shown in two parts separated by an intermission, and it was the first American-made film to have a musical score for an orchestra. It helped to pioneer closeups and fadeouts, and it includes a carefully staged battle sequence with hundreds of extras made to look like thousands. It came with a 13-page Souvenir Program. It was the first motion picture to be screened inside the White House, where it was watched by President Woodrow Wilson.

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Extra (acting) in the context of Screen Actors Guild

The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA.

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LINKED FROM (PARENTS)
← Casting (performing arts) ← Quo Vadis (1913 film) ← The Birth of a Nation ← Character actor ← Screen Actors Guild ← Cast member
LINKS TO (CHILDREN)
Performer → Film → Television show → War film → Epic film → Grand opera → Supernumerary actor →