Extended techniques in the context of "Prepared piano"


Extended techniques in the context of "Prepared piano"

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⭐ Core Definition: Extended techniques

In music, extended technique is unconventional, unorthodox, or non-traditional methods of singing or of playing musical instruments employed to obtain unusual sounds or timbres.

Composers’ use of extended techniques is not specific to contemporary music (for instance, Hector Berlioz’s use of col legno in his Symphonie Fantastique is an extended technique) and it transcends compositional schools and styles. Extended techniques have also flourished in popular music. Nearly all jazz performers make significant use of extended techniques of one sort or another, particularly in more recent styles like free jazz or avant-garde jazz. Musicians in free improvisation have also made heavy use of extended techniques.

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πŸ‘‰ Extended techniques in the context of Prepared piano

A prepared piano is a piano that has had its sounds temporarily altered by placing bolts, screws, mutes, rubber erasers, and/or other objects on or between the strings. Its invention is usually traced to John Cage, who used the technique in his dance music for Bacchanale (1940), created for a performance in a Seattle venue that lacked sufficient space for a percussion ensemble. Cage has cited Henry Cowell as an inspiration for developing piano extended techniques, involving strings within a piano being manipulated instead of the keyboard. Typical of Cage's practice, as summed up in the Sonatas and Interludes (1946–1948), is that each key of the piano has its own characteristic timbre, and that the original pitch of the string will not necessarily be recognizable. Further variety is available with use of the una corda pedal.

Between 1950 and 1980, Ferrante & Teicher used partially prepared pianos for some of their tunes in their albums. Other musicians, such as Denman Maroney, use prepared piano for performances. Cor Fuhler and Roger Miller have developed their own ways of using prepared piano in their musical albums. Additionally, notable contributors to the subsequent repertoire include Lou Harrison, Pauline Oliveros, James Tenney, and Christian Wolff.

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