Eric Gill in the context of Type designer


Eric Gill in the context of Type designer

Eric Gill Study page number 1 of 1

Play TriviaQuestions Online!

or

Skip to study material about Eric Gill in the context of "Type designer"


⭐ Core Definition: Eric Gill

Arthur Eric Rowton Gill ARA RDI (22 February 1882 – 17 November 1940) was an English sculptor, letter cutter, typeface designer, and printmaker. Although the Oxford Dictionary of National Biography describes Gill as "the greatest artist-craftsman of the twentieth century: a letter-cutter and type designer of genius", he is also a figure of considerable controversy following the revelations of his sexual abuse of two of his daughters and of his pet dog.

Gill was born in Brighton and grew up in Chichester, where he attended the local college before moving to London. There he became an apprentice with a firm of ecclesiastical architects and took evening classes in stone masonry and calligraphy. Gill abandoned his architectural training and set up a business cutting memorial inscriptions for buildings and headstones. He also began designing chapter headings and title pages for books.

↓ Menu
HINT:

In this Dossier

Eric Gill in the context of Roman square capitals

Roman square capitals, also called capitalis monumentalis, inscriptional capitals, elegant capitals and capitalis quadrata, are an ancient Roman form of writing, and the basis for modern capital letters. Square capitals are characterized by sharp, straight lines, supple curves, thick and thin strokes, angled stressing and incised serifs. When written in documents this style is known as Latin book hand.

View the full Wikipedia page for Roman square capitals
↑ Return to Menu

Eric Gill in the context of Type design

Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below.

A typeface differs from other modes of graphic production such as handwriting and drawing in that it is a fixed set of alphanumeric characters with specific characteristics to be used repetitively. Historically, these were physical elements, called sorts, placed in a wooden frame; modern typefaces are stored and used electronically. It is the art of a type designer to develop a pleasing and functional typeface. In contrast, it is the task of the typographer (or typesetter) to lay out a page using a typeface that is appropriate to the work to be printed or displayed.

View the full Wikipedia page for Type design
↑ Return to Menu

Eric Gill in the context of Letterform

A letterform, letter-form or letter form is a term used especially in typography, palaeography, calligraphy and epigraphy to mean a letter's shape. A letterform is a type of glyph, which is a specific, concrete way of writing an abstract character or grapheme.

For example, medieval scholars may discuss the particular handwritten letterforms that distinguish one script from another.

View the full Wikipedia page for Letterform
↑ Return to Menu

Eric Gill in the context of Perpetua (typeface)

Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high.

Perpetua was intended as a crisp, contemporary design that did not follow any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text and has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings.

View the full Wikipedia page for Perpetua (typeface)
↑ Return to Menu

Eric Gill in the context of Gill Sans

Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype in 1928. It is based on Edward Johnston's 1916 "Underground Alphabet", the corporate typeface of London Underground.

As a young artist, Gill had assisted Johnston in its early development stages. In 1926, Douglas Cleverdon, a young printer-publisher, opened a bookshop in Bristol, and Gill painted a fascia for the shop for him using sans-serif capitals. In addition, Gill sketched an alphabet for Cleverdon as a guide for him to use for future notices and announcements. By this time, Gill had become a prominent stonemason, artist and creator of lettering in his own right, and had begun to work on creating typeface designs.

View the full Wikipedia page for Gill Sans
↑ Return to Menu