English folklore in the context of "Welsh folklore"

Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. According to legend, he was a highly skilled archer and swordsman. In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff of Nottingham. In the oldest known versions, he is instead a member of the yeoman class. He is traditionally depicted dressed in Lincoln green. Today, he is most closely associated with his stance of "robbing the rich to give to the poor".

Through retellings, additions, and variations, a body of familiar characters associated with Robin Hood has been created. These include his lover, Maid Marian; his band of outlaws, the Merry Men; and his chief opponent, the Sheriff of Nottingham. The Sheriff is often depicted as assisting Prince John in usurping the rightful but absent King Richard, to whom Robin Hood remains loyal. He became a popular folk figure in the Late Middle Ages, and his partisanship of the common people and opposition to the Sheriff are some of the earliest-recorded features of the legend, whereas his political interests and setting during the Angevin era developed in later centuries. The earliest known ballads featuring him are from the 15th century.

Anglo-Saxon paganism, sometimes termed Anglo-Saxon heathenism, Anglo-Saxon pre-Christian religion, Anglo-Saxon traditional religion, or Anglo-Saxon polytheism refers to the religious beliefs and practices followed by the Anglo-Saxons between the 5th and 8th centuries AD, during the initial period of Early Medieval England. A variant of Germanic paganism found across much of north-western Europe, it encompassed a heterogeneous variety of beliefs and cultic practices, with much regional variation.

Developing from the earlier Iron Age religion of continental northern Europe, it was introduced to Britain following the Anglo-Saxon migration in the mid 5th century, and remained the dominant belief system in England until the Christianisation of its kingdoms between the 7th and 8th centuries, with some aspects gradually blending into folklore. The pejorative terms paganism and heathenism were first applied to this religion by Christianised Anglo-Saxons, and it does not appear that the followers of the indigenous faith had a name for their religion themselves; there has therefore been debate among contemporary scholars as to the appropriateness of continuing to describe these belief systems using this Christian terminology. Contemporary knowledge of Anglo-Saxon paganism derives largely from three sources: textual evidence produced by Christian Anglo-Saxons like Bede and Aldhelm, place-name evidence, and archaeological evidence of cultic practices. Further suggestions regarding the nature of Anglo-Saxon paganism have been developed through comparisons with the better-attested pre-Christian belief systems of neighbouring peoples such as the Norse.

British folklore includes topics such as the region's legends, recipes, and folk beliefs seen throughout the United Kingdom or Britain. British folklore includes English folklore, Scottish folklore and Welsh folklore. Many of these shared tales are tied to real modern and ancient geographical features that have inspired stories of mythical creatures and characters. The traditions inherited from folklore of generations past also still continue to influence present British culture in regards to current local festivals, literature and preserved customs.

Nordic folklore is the folklore of Denmark, Norway, Sweden, Iceland and the Faroe Islands. It has common roots with, and has been under mutual influence with, folklore in England, Germany, the Low Countries, the Baltic countries, Finland and Sápmi. Folklore is a concept encompassing expressive traditions of a particular culture or group. The peoples of Scandinavia are heterogenous, as are the oral genres and material culture that has been common in their lands. However, there are some commonalities across Scandinavian folkloric traditions, among them a common ground in elements from Norse mythology as well as Christian conceptions of the world.

Among the many tales common in Scandinavian oral traditions, some have become known beyond Scandinavian borders – examples include The Three Billy Goats Gruff and The Giant Who Had No Heart in His Body.

Joseph Jacobs (29 August 1854 – 30 January 1916) was an Australian-born folklorist, literary critic and historian who became a notable collector and publisher of English folklore.

Born in Sydney to a Jewish family, his work went on to popularise some of the world's best known versions of English fairy tales including "Jack and the Beanstalk", "Goldilocks and the Three Bears", "The Three Little Pigs", "Jack the Giant Killer" and "The History of Tom Thumb". He published his English fairy tale collections English Fairy Tales in 1890 and More English Fairy Tales in 1893. He published European, Jewish, Celtic, and Indian fairy tales, which made him one of the most popular English-language fairy tale writers. Jacobs was also an editor for journals and books on the subject of folklore which included editing the Fables of Bidpai and the Fables of Aesop, as well as articles on the migration of Jewish folklore. He also edited editions of The Thousand and One Nights. He went on to join The Folklore Society in England and became an editor of the society journal Folklore. Joseph Jacobs also contributed to The Jewish Encyclopedia.

Spring-heeled Jack was an entity in English folklore of the Victorian era. The first claimed sighting of Spring-heeled Jack was in 1837. Later sightings were reported all over the United Kingdom and were especially prevalent in suburban London, the Midlands and Scotland.

There are many theories about the nature and identity of Spring-heeled Jack. This urban legend was very popular in its time, due to the tales of his bizarre appearance and ability to make extraordinary leaps, to the point that he became the topic of several works of fiction.

"John Barleycorn" is an English and Scottish folk song. The song's protagonist is John Barleycorn, a personification of barley and of the beer made from it. In the song, he suffers indignities, attacks, and death that correspond to the various stages of barley cultivation, such as reaping and malting.

The song may have its origins in ancient English or Scottish folklore, with written evidence of the song dating it at least as far back as the Elizabethan era. It is listed as number 164 in the Roud Folk Song Index. The oldest versions are Scottish and include the Scots poem "Quhy Sowld Nocht Allane Honorit Be". In 1782, the Scottish poet Robert Burns published his own version of the song, which influenced subsequent versions.

Maid Marian is the heroine of the Robin Hood legend in English folklore, often taken to be his lover. She is not mentioned in the early, medieval versions of the legend, but was the subject of at least two plays by 1600. In the tales her history and circumstances are varied, though she generally is shown as being given high respect in Robin’s circle for her courage and independence as well as her beauty and loyalty.