English architecture in the context of "King's College Chapel, Cambridge"

In English architecture, mainly from the Tudor period onwards, a banqueting house is a separate pavilion-like building reached through the gardens from the main residence, whose use is purely for entertaining, especially eating. Or it may be built on the roof of a main house, as in many 16th-century prodigy houses. It may be raised for additional air or a vista, with a simple kitchen below, as at Hampton Court Palace and Wrest Park, and it may be richly decorated, but it normally contains no bedrooms, and typically a single grand room apart from any service spaces. The design is often ornamental, if not downright fanciful, and some are also follies, as in Paxton's Tower. There are usually plenty of windows, as appreciating the view was a large part of their purpose. Often they are built on a slope, so that from the front, only the door to the main room can be seen; the door to the servants' spaces underneath was hidden at the back (Wrest Park). The Banqueting House, Gibside is an example.

In the English of the period, "banquet" had two distinct meanings: firstly a grand formal celebratory meal (the usual modern sense), but also a course or light meal taken in a special place away from the main dining place, the relevant sense here (Whitehall apart). In large meals a banqueting house was most likely to be used for eating dessert, if reasonably close to the main house. Otherwise it might be used on fine days for taking tea, or any kind of drink, snack or meal.

English Baroque is a term used to refer to modes of English architecture that paralleled Baroque architecture in continental Europe between the Great Fire of London (1666) and roughly 1720, when the flamboyant and dramatic qualities of Baroque art were abandoned in favour of the more chaste rule-based Neo-classical forms espoused by the proponents of Palladianism.

It is primarily embodied in the works of Christopher Wren, Nicholas Hawksmoor, John Vanbrugh, and James Gibbs, although a handful of lesser architects such as Thomas Archer also produced buildings of significance. In domestic architecture and interior decor, Baroque qualities can sometimes be seen in the late phase of the Restoration style, the William and Mary style, the Queen Anne style, and early Georgian architecture.

The Banqueting House, on Whitehall in the City of Westminster, central London, is the grandest and best-known survivor of the architectural genre of banqueting houses, constructed for elaborate entertaining. It is the only large surviving component of the Palace of Whitehall, the residence of English monarchs from 1530 to 1698. The building is important in the history of English architecture as the first structure to be completed in the classical style of Palladian architecture which was to transform English architecture.

Begun in 1619 and designed by Inigo Jones in a style influenced by Andrea Palladio, the Banqueting House was completed in 1622 at a cost of £15,618, 27 years before Charles I was beheaded on a scaffold in front of it in January 1649. In the 1630s, paintings by Peter Paul Rubens were added to the interior ceiling. The building was controversially re-faced in Portland stone in the 19th century, though the details of the original façade were faithfully preserved. Today, the Banqueting House is a national monument, open to the public and preserved as a Grade I listed building. It is cared for by an independent charity, Historic Royal Palaces, which receives no funding from the British Government or the Crown.

Montacute House is a late Elizabethan mansion in Montacute, South Somerset, England. An example of English architecture created during a period that was moving from the medieval Gothic to the more classically-inspired Renaissance style, Montacute is one of the few prodigy houses to have survived almost unchanged from the Elizabethan era. The house has been designated as a Grade I listed building, and its gardens are also listed at the highest grade on the Register of Historic Parks and Gardens of Special Historic Interest in England.

Designed by an unknown architect, possibly the mason William Arnold, the three-storey mansion, constructed of the local Ham Hill stone, was built in about 1598 for Sir Edward Phelips, a lawyer and politician who was Speaker of the House of Commons from 1604 until 1611, and subsequently Master of the Rolls from 1611 until his death in 1614. He was the prosecutor in the trial of the Gunpowder Plotters. Phelips' descendants occupied the house until the early 20th century. For a brief period, the house was let to tenants, one of whom was Lord Curzon, who lived at the house with his mistress, the novelist Elinor Glyn. The house narrowly escaped demolition in the early 20th century, when it was valued for scrap at just under £6,000. In 1931, it was purchased by the philanthropist, Ernest Cook, who presented the house to the National Trust. One of the earliest of the Trust's acquisitions, the house came empty of its contents, and without the endowment the Trust subsequently required, its then secretary, James Lees-Milne describing it as an "empty and rather embarrassing white elephant".