Encomium in the context of "Herodian"

Play Trivia Questions online!

or

Skip to study material about Encomium in the context of "Herodian"

Ad spacer

⭐ Core Definition: Encomium

Encomium (pl.: encomia) is a Latin word deriving from the Ancient Greek enkomion (ἐγκώμιον), meaning "the praise of a person or thing." Another Latin equivalent is laudatio, a speech in praise of someone or something.

Originally it was the song sung by the chorus at the κῶμος, or festal procession, held at the Panhellenic Games in honour of the victor, either on the day of his victory or on its anniversary. The word came afterwards to denote any song written in celebration of distinguished persons, and in later times any spoken or written panegyric whatever.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Encomium in the context of Herodian

Herodian or Herodianus (Greek: Ἡρωδιανός), sometimes referred to as Herodian of Antioch (c. 170 – c. 240), was a minor Roman civil servant who wrote a colourful history in Greek titled History of the Empire from Marcus onwards (τῆς μετὰ Μάρκον βασιλείας ἱστορία) in eight books covering the years 180 to 238. His work is not considered entirely reliable, although his less biased account of Elagabalus may be more useful than that of Cassius Dio. The origin of Herodian is contested in scholarship, popular hypotheses being Syria, Alexandria in Egypt and Asia Minor. However, he appears to have lived for a considerable period of time in Rome, possibly without holding any public office. From his extant work, it seems that he was still living at an advanced age during the reign of Gordianus III, who ascended the throne in 238. Beyond this, nothing is known of his life.

Herodian writes (1.1.3; 2.15.7) that the events described in his history occurred during his lifetime. Photios I of Constantinople (Codex 99) gives an outline of the contents of this work and passes a flattering encomium on the style of Herodian, which he describes as clear, vigorous, agreeable, and preserving a happy medium between an utter disregard of art and elegance and a profuse employment of the artifices and prettinesses which were known under the name of Atticism, as well as between boldness and bombast. He appears to have used Thucydides as a model to some extent, both for style and for the general composition of his work, often introducing speeches wholly or in part imaginary.

↓ Explore More Topics
In this Dossier

Encomium in the context of Encomium Emmae Reginae

Encomium Emmae Reginae or Gesta Cnutonis Regis is an 11th-century Latin encomium in honour of the English queen Emma of Normandy. It was written in 1041 or 1042, probably by a monk of Saint Bertin, which was then in the County of Flanders.

↑ Return to Menu

Encomium in the context of Skaldic poetry

A skald, or skáld (Old Norse: [ˈskɔːld]; Icelandic: [ˈskault], meaning "poet"), is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry in alliterative verse, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but were sometimes ex tempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge of Norse mythology, and heiti, which are formal nouns used in place of more prosaic synonyms. Dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.

More than 5,500 skaldic verses have survived, preserved in more than 700 manuscripts, including in several sagas and in Snorri Sturluson's Prose Edda, a handbook of skaldic composition that led to a revival of the art. Many of these verses are fragments of originally longer works, and the authorship of many is unknown. The earliest known skald from whom verses survive is Bragi Boddason, known as Bragi the Old, a Norwegian skald of the first half of the 9th century. Most known skalds were attached to the courts of Norwegian kings during the Viking Age, and increasingly were Icelanders. The subject matter of their extended poems was sometimes mythical before the conversion to Christianity, thereafter usually historical and encomiastic, detailing the deeds of the skald's patron. The tradition continued into the Late Middle Ages.

↑ Return to Menu

Encomium in the context of Agesilaus (Xenophon)

The Agesilaus (/əˌdʒɛsəˈleɪəs/; Ancient Greek: Ἀγησίλαος) is a minor work by the Ancient Greek writer Xenophon.

The Agesilaus is a posthumous biography of the eponymous Agesilaus II (c. 440 BC – c. 360 BC), the King of Sparta, general, and important patron of Xenophon. Xenophon’s stated goal is to produce an encomium or eulogy. Xenophon portrays Agesilaus as a highly skilled military tactician and ruler, endowed with exemplary moral virtue and character. The Agesilaus provides an outline of Xenophon’s views on virtue, with the Spartan king used as a role model throughout.

↑ Return to Menu

Encomium in the context of Walther von der Vogelweide

Walther von der Vogelweide (Modern German pronunciation: [ˈvaltɐ fɔn deːɐ̯ ˈfoːɡl̩vaɪdə]; c. 1170 – c. 1230) was a Minnesänger who composed and performed love-songs and political songs (Sprüche) in Middle High German. Walther has been described as the greatest German lyrical poet before Goethe; his hundred or so love-songs are widely regarded as the pinnacle of Minnesang, the medieval German courtly love song tradition, and his innovations breathed new life into this genre. He was also the first political poet to write in German, with a considerable body of encomium, satire, invective, and moralising.

Little is known about Walther's life. He was a travelling singer who performed for patrons at various princely courts in the states of the Holy Roman Empire. He is particularly associated with the Babenberg court in Vienna. Later in life he was given a small fief by the future Holy Roman Emperor, Frederick II.

↑ Return to Menu