Empress Jia Nanfeng in the context of "Admonitions Scroll"

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⭐ Core Definition: Empress Jia Nanfeng

Jia Nanfeng (257 – 13 May 300), nicknamed Shi (), was a Chinese empress consort. She was a daughter of Jia Chong and the first wife of Emperor Hui of the Jin dynasty and also a granddaughter of Jia Kui. She is commonly seen as a villainous figure in Chinese history, as the person who provoked the War of the Eight Princes, leading to the Wu Hu rebellions and the Jin Dynasty's loss of northern and central China. Between July 291 to May 300, she ruled the Jin empire from behind the scenes by dominating her developmentally disabled husband.

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👉 Empress Jia Nanfeng in the context of Admonitions Scroll

The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345 – ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin dynasty (266–420) court painting by Gu. The full title of the painting is Admonitions of the Court Instructress (Chinese: 女史箴圖; pinyin: Nǚshǐ zhēn tú). It was painted to illustrate a poetic text written in 292 by the poet-official Zhang Hua (232–300). The text itself was composed to reprimand Empress Jia (257–300) and to provide advice to the women in the imperial court. The painting illustrates this text with scenes depicting anecdotes about exemplary behaviour of historical palace ladies, as well as with more general scenes showing aspects of life as a palace lady.

The painting, which is now held at the British Museum in London, England, is one of the earliest extant examples of a Chinese handscroll painting, and is renowned as one of the most famous Chinese paintings in the world. The painting is first recorded during the latter part of the Northern Song (960–1127), when it was in the collection of Emperor Huizong of Song (r. 1100–1126). It passed through the hands of many collectors over the centuries, many of whom left their seals of ownership on the painting, and it eventually became a treasured possession of the Qianlong Emperor (r. 1735–1796). In 1899, during the aftermath of the Boxer Rebellion, the painting was acquired by an officer in the British Indian Army who sold it to the British Museum. The scroll is incomplete, lacking the first three of the twelve original scenes, which were probably lost at an early date. A monochrome paper scroll copy of the painting, complete in twelve scenes, was made during the Southern Song (1127–1279), and is now in the collection of the Palace Museum in Beijing, China.

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